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Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Статья T.

(Rus)

Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?

Статья A.

(Rus)

卷 10, 编号 4, 2018

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Статья M.

(Rus)

卷 13, 编号 3(49), 2021

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Статья V.

(Rus)

Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness

Статья D.

(Rus)

Sound as a Sign and Artistic Symbol in Film

Статья E.

(Rus)

卷 13, 编号 1, 2021

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Статья E.

(Rus)

卷 4, 编号 2-3, 2012

Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films

Malyshev V.

(Rus)

Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama

Статья A.

(Rus)

卷 4, 编号 4, 2012

Can “Native” Cinema Be Marketable

Zhabskiy M.

(Rus)

卷 12, 编号 2, 2020

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Статья I.

(Rus)

卷 4, 编号 2-3, 2012

Sociocultural Functions of Film Libraries and Archives

Malyshev V.

(Rus)

卷 13, 编号 3(49), 2021

Alexander Dovzhenko. Poetic Space of Immortality

Статья V.

(Rus)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Статья S.

(Rus)

卷 5, 编号 1, 2013

Can “Native” Cinema Be Marketable

Zhabskiy M.

(Rus)

卷 10, 编号 4, 2018

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Статья S.

(Rus)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Статья Y.

(Rus)

卷 3, 编号 1, 2011

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Статья E.

(Rus)

卷 13, 编号 3(49), 2021

The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries

Статья M.

(Rus)

卷 3, 编号 2, 2011

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

卷 1, 编号 1, 2009

Cinema of Bulgaria at the turn of century

Utilov V.

(Rus)

卷 5, 编号 3, 2013

The Analysis of Artistic Time in the Theory of Film Dramaturgy

Marievskaya N.

(Rus)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Статья S.

(Rus)

卷 6, 编号 3, 2014

Co-production in Current International Film Industry. Major Trends

Статья A.

(Rus)

卷 9, 编号 3, 2017

The Aspects of Body in American Film Noir (1941-1955)

Статья K.

(Rus)

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Статья D.

(Rus)

卷 2, 编号 2, 2010

Second World War Film Chronicle

Prozhiko G., Prozhiko G.

(Rus)

卷 5, 编号 2, 2013

Can “Native” Cinema Be Marketable

Zhabskiy M.

(Rus)

On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze

Marievskaya N.

(Rus)

卷 9, 编号 2, 2017

Music in the Metadigetic Space of the Motion Picture

Статья E.

(Rus)

卷 9, 编号 4, 2017

The Birth of Cinema in the Russian Empire and Film Censorship

Статья N.

(Rus)

卷 3, 编号 2, 2011

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

卷 3, 编号 4, 2011

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.

(Rus)

卷 9, 编号 2, 2017

Censorship Machine in the Soviet Cinema of the 1920s

Статья A.

(Rus)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Статья E., Статья E.

(Rus)

Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics

Статья J.

(Rus)

卷 2, 编号 1, 2010

Remakes. The Artistic and Aesthetic Principles

Primakova N., Primakova N.

(Rus)

卷 4, 编号 2-3, 2012

Cinema and Advertising: Enemies or Allies?

Zvegintseva I.

(Rus)

卷 8, 编号 2, 2016

Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering

Статья A.

(Rus)

卷 8, 编号 2, 2016

Primary Cinema Sources of American Noir

Статья K.

(Rus)

Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century

Статья X.

(Rus)

卷 10, 编号 4, 2018

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Статья Y.

(Rus)

卷 13, 编号 1, 2021

Folklore Traditions of the Sverdlovsk Animation School

Статья Y.

(Rus)

卷 2, 编号 1, 2010

Historical time in a film structure(end, beginning in № 1)

Marievskaya N., Marievskaya N.

(Rus)

卷 4, 编号 1, 2012

The factors of competitive ability of national film industries

Zhabskiy M.

(Rus)

卷 5, 编号 3, 2013

Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907)

Kosinova M.

(Rus)

The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions

Статья Y.

(Rus)

卷 13, 编号 1, 2021

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Статья A.

(Rus)

The film star — the phenomenon of a parasocial relation

Статья M., Статья F., Статья К.

(Rus)

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.

(Rus)

卷 7, 编号 3, 2015

Branding as a Factor of Competitiveness of the “Lenfilm” Studio

Статья M.

(Rus)

卷 8, 编号 1, 2016

Lost in Translation: Songs in Foreign Films

Статья Y.

(Rus)

卷 8, 编号 2, 2016

Structural Analysis of Film Characters

Статья M.

(Rus)

卷 9, 编号 1, 2017

Music as a Part of the Theatrical Game of the Movie

Статья Y.

(Rus)

The Birth of Cinema in the Russian Empire and Film Censorship

Статья N.

(Rus)

卷 10, 编号 2, 2018

The Product of Film Industry - a Cultural Good in Commodity Form

Статья M.

(Rus)

卷 12, 编号 4, 2020

The Expressive Function of Color in Modern Non-Fiction Films

Статья A.

(Rus)

Short Film: Genre Originality of Debuts

Статья G., Статья N.

(Rus)

卷 3, 编号 3, 2011

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.

(Rus)

On The Matter of Market in Cinema

Статья M.

(Rus)

卷 12, 编号 4, 2020

From a Screen Document to a Poetic Image. Making Sense

Статья G.

(Rus)

The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook

Статья ..

(Rus)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Статья E.

(Rus)

卷 5, 编号 2, 2013

Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»

Bezenkova M.

(Rus)

Movie Distribution Categories in Russia: Sample of Statistical Analysis

Статья O., Статья N., Статья D.

(Rus)

A Criminal as the Main Movie Character, or Old Themes and New Solutions

Статья I.

(Rus)

卷 9, 编号 1, 2017

Style “Noir” in Classical and Contemporary Art History

Статья K.

(Rus)

卷 9, 编号 1, 2017

Cinema and Globalization

Статья M.

(Rus)

A Stunt as a Plastic Metaphor in Epic Series “Liberation”

Статья D.

(Rus)

Modern Forms of Capturing Reality in the Format of Video Hosting

Статья A.

(Rus)

卷 11, 编号 1, 2019

电视屏幕上的游乐设施: 交通线游戏的规则

Статья E.

(Eng)

(Rus)

卷 3, 编号 4, 2011

The factors of competitive ability of national film industries

Zhabskiy M.

(Rus)

卷 5, 编号 1, 2013

State backing of non-fiction film

Malkova L.

(Rus)

1992-2012. Attempts at Privatization of Film Studios

Статья O.

(Rus)

The Perception of a Contemporary in Non-fiction Films

Статья A.

(Rus)

卷 11, 编号 4, 2019

Cooperation between the Russian Animation Industry and Asian Partners

Статья N.

(Rus)

卷 11, 编号 2, 2019

The sound world of the alienated film character

Rusinova E.

(Rus)

卷 1, 编号 1, 2009

Historical time in a film structure

Marievskaya N.

(Rus)

The Images of China on Russian Screen. A Glance from the Audience

Andreyev A., Andreyev I.

(Rus)

卷 6, 编号 3, 2014

Crime Teenpic as a Subgenre of American Cinema

Статья V.

(Rus)

卷 7, 编号 2, 2015

Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV

Статья L.

(Rus)

European Film Avant-Garde: Poetics of Objectiveness

Статья M.

(Rus)

卷 8, 编号 1, 2016

Emotional Influence on the Viewer in Contemporary American Cinema

Статья F.

(Rus)

Specifics of Imaginative Approach in the US Documentary of 1960-2000s

Статья M.

(Rus)

卷 8, 编号 4, 2016

Two Peoples, Two Worlds

Статья I.

(Rus)

卷 10, 编号 2, 2018

Financing Cinema Production as a High-Risk Activity

Статья N.

(Rus)

卷 12, 编号 2, 2020

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Статья V.

(Rus)

卷 12, 编号 1, 2020

The struggle for the Far East in the interpretation of the Vasilyev brothers

Статья M.

(Rus)

卷 11, 编号 2, 2019

Russian Documentary at the Turn of the 21st Century

Статья G.

(Rus)

卷 2, 编号 2, 2010

Artist and Repression: Reflections

Perel'shteyn R., Perelshtein R.

(Rus)

卷 2, 编号 2, 2010

The Unknown Cinema of the War and Victory

Grashchenkova I., Grashchenkova I.

(Rus)

卷 5, 编号 1, 2013

The Great Kamchatka Expedition

Golovnyov I.

(Rus)

Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants

Fyodorova A.

(Rus)

卷 6, 编号 3, 2014

Silence of the Author: Semantics of Muting in Cinema

Статья Y.

(Rus)

卷 7, 编号 2, 2015

Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis

Статья K.

(Rus)

卷 7, 编号 4, 2015

Toward the Sociological Rationalization of State Film Policy

Статья M.

(Rus)