| Issue |
Title |
File |
| Vol 11, No 3, 2019 |
100th anniversary of the acting faculty of VGIK |
(Rus)
|
|
Marusenkov V.V.
|
| Vol 7, No 1, 2015 |
1992-2012. Attempts at Privatization of Film Studios |
(Rus)
|
|
Ziborova O.P.
|
| Vol 7, No 3, 2015 |
35th International Student Festival |
(Rus)
|
|
- -.
|
| Vol 12, No 3, 2020 |
40th International Student Festival of VGIK |
(Rus)
|
|
Editorial a.
|
| Vol 7, No 3, 2015 |
7th International Summer Film School VGIK |
(Rus)
|
|
- -.
|
| Vol 12, No 4, 2020 |
A Character in the Space of Leisure. An Essay on Dramatic Composition of Film |
(Rus)
|
|
Marievskaya N.
|
| Vol 4, No 1, 2012 |
A Competitive Model of Commercial TV Broadcasting |
(Rus)
|
|
Urazova S.L.
|
| Vol 8, No 3, 2016 |
A Criminal as the Main Movie Character, or Old Themes and New Solutions |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 12, No 2, 2020 |
A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen |
(Rus)
|
|
Grigoreva N.
|
| Vol 2, No 4, 2010 |
A Film as an "Unfinished Script": theProblem of Composition |
(Rus)
|
|
Korshunov V.V., Korshunov V.V.
|
| Vol 2, No 4, 2010 |
A Film Director in Search of the Genre |
(Rus)
|
|
Maslennikov I.F., Maslennikov I.F.
|
| Vol 4, No 4, 2012 |
A Hero and His Mask in Strip Cartoons |
(Rus)
|
|
Tsyrkun N.A.
|
| Vol 2, No 2, 2010 |
A Long Story about a Big Set for a Short Episode |
(Rus)
|
|
Tolkachev A.N., Tolkachov A.N.
|
| Vol 12, No 1, 2020 |
A screen version of the story of Salinger translated into Farsi |
(Rus)
|
|
Grigoreva N.G.
|
| Vol 8, No 3, 2016 |
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism |
(Rus)
|
|
Vinogradov V.V.
|
| Vol 12, No 2, 2020 |
A Study of the Film ‘‘Andrei Rublyov’’: from the Perspective of Neoplatonism and Ideology of Dionysius the Areopagite |
(Rus)
|
|
Park Young Eun (.
|
| Vol 13, No 2(48), 2021 |
A Stunt as a Plastic Metaphor in Epic Series “Liberation” |
(Rus)
|
|
Danilov D.
|
| Vol 3, No 3, 2011 |
A Symbolic Visual Structures in A. Sokurov's cinema |
(Rus)
|
|
Tikhonova M.Y.
|
| Vol 3, No 1, 2011 |
A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema |
(Rus)
|
|
Kljueva L.B.
|
| Vol 2, No 4, 2010 |
A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema |
(Rus)
|
|
Klyueva L.B., Kljueva L.B.
|
| Vol 1, No 1, 2009 |
About dubbing foreign ilms |
(Rus)
|
|
ROUSSINOVA E.A.
|
| Vol 5, No 1, 2013 |
About eternity concepts in the film structure |
(Rus)
|
|
Marievskaya N.Y.
|
| Vol 6, No 1, 2014 |
Absurd KING SIZE |
(Rus)
|
|
Mankovskaya N.B.
|
| Vol 11, No 2, 2019 |
Actual problems of the composition of the artistic image |
(Rus)
|
|
Sveshnikov A.V.
|
| Vol 8, No 2, 2016 |
Adultery in Russian Cinema: From the “Thaw” to the End of the Soviet Epoch |
(Rus)
|
|
Fanina M.A.
|
| Vol 5, No 3, 2013 |
Aesthetic Analysis of the Show as a Concept |
(Rus)
|
|
Vanchenko T.P.
|
| Vol 2, No 1, 2010 |
Aesthetic Features of the Modern TV-documentary |
(Rus)
|
|
Shergova K.A., Shergova K.
|
| Vol 10, No 2, 2018 |
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? |
(Rus)
|
|
Novikov V.N.
|
| Vol 10, No 1, 2018 |
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? |
(Rus)
|
|
Novikov V.N.
|
| Vol 11, No 4, 2019 |
Agnes’ Self-Reflection in Ingmar Bergman’s Cries and Whispers |
(Rus)
|
|
Solovyeva M.V.
|
| Vol 2, No 1, 2010 |
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema") |
(Rus)
|
|
Turitsyn V.N., Turitsyn V.N.
|
| Vol 13, No 3(49), 2021 |
Alexander Dovzhenko. Poetic Space of Immortality |
(Rus)
|
|
Vinogradov V.
|
| Vol 5, No 3, 2013 |
Alexander Sokurov’s “Faust”: Goethe’s Philosophic Implications as a Problem |
(Rus)
|
|
Khrenov N.A.
|
| Vol 5, No 4, 2013 |
Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy |
(Rus)
|
|
Khrenov N.A.
|
| Vol 3, No 4, 2011 |
Alfred Schnittke and the End of Russian Classic Music |
(Rus)
|
|
Mikheyeva Y.V.
|
| Vol 5, No 2, 2013 |
Algeria: Birth of Cinema |
(Rus)
|
|
Shakhov A.S.
|
| Vol 11, No 4, 2019 |
Alma Mater of domestic cameramen |
(Rus)
|
|
Onipenko M.
|
| Vol 1, No 1, 2009 |
Alteration of perception of the screen image - actual trend analysis |
(Rus)
|
|
Kosenkova N.G.
|
| Vol 5, No 4, 2013 |
Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's |
(Rus)
|
|
Kosinova M.I.
|
| Vol 8, No 1, 2016 |
American Biopic in Contemporary Cinema |
(Rus)
|
|
Morozova I.V.
|
| Vol 5, No 2, 2013 |
American cinema of the Great Depression. The «Social Restlessness Phase» |
(Rus)
|
|
Zakharov D.V.
|
| Vol 12, No 3, 2020 |
Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture |
(Rus)
|
|
Krivulya N.
|
| Vol 8, No 2, 2016 |
Animated Poster: Its Origins, Specificity and Peculiarity |
(Rus)
|
|
Krivulya N.G.
|
| Vol 5, No 1, 2013 |
Art and politics |
(Rus)
|
|
Nikitina I.P.
|
| Vol 4, No 2-3, 2012 |
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture» |
(Rus)
|
|
- -.
|
| Vol 2, No 2, 2010 |
Artist and Repression: Reflections |
(Rus)
|
|
Perel'shteyn R.M., Perelshtein R.M.
|
| Vol 3, No 2, 2011 |
Artistic Ambitions of Screen Document at the Turn of the Century |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 3, No 1, 2011 |
Artistic Ambitions of Screen Document at the Turn of the Century |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 4, No 2-3, 2012 |
Artistic and Aesthetical Aspects of the Systematic Change in the First Half of the 20th Century |
(Rus)
|
|
Burov A.M.
|
| Vol 4, No 2-3, 2012 |
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study) |
(Rus)
|
|
Bychkov V.V.
|
| Vol 11, No 2, 2019 |
Artistic features of Russian TV serials about the Great Patriotic War |
(Rus)
|
|
Shergova K.A., Muradov A.B.
|
| Vol 2, No 3, 2010 |
Artistic Merit as a Russian Film Competitiveness Factor |
(Rus)
|
|
Ziborova O.P.
|
| Vol 5, No 2, 2013 |
Artistic Space as a Modern Aesthetical Category |
(Rus)
|
|
Nikitina I.P.
|
| Vol 13, No 3(49), 2021 |
Artistic Space In Documentary Films (According To The Results Of The XVII Kazan International Muslim Film Festival) |
(Rus)
|
|
Chirkina M.
|
| Vol 6, No 3, 2014 |
Artistic Thinking as a Characteristic Property of Creative Intellect |
(Rus)
|
|
Andreyev A.L.
|
| Vol 5, No 4, 2013 |
At this point, close to the river... |
(Rus)
|
|
Chizhevskaya O.A.
|
| Vol 11, No 1, 2019 |
Attraction on TV: rules of communication game |
(简体中)
(Rus)
|
|
Kemarskaya I.N.
|
| Vol 11, No 1, 2019 |
Australian cinema: transforming youth issues over time |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 3, No 1, 2011 |
Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone" |
(Rus)
|
|
Ilchenko S.N.
|
| Vol 3, No 4, 2011 |
Basic Aspects of the Development of Systematic Repetition in Fine Art |
(Rus)
|
|
Burov A.M.
|
| Vol 5, No 3, 2013 |
Baz Luhrmann’s creative manner |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 11, No 1, 2019 |
Between ideology and literature: the discussion of screenplays in the USSR in the 1930s |
(Rus)
|
|
Goncharenko A.A.
|
| Vol 6, No 4, 2014 |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
|
|
- -.
|
| Vol 6, No 4, 2014 |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
|
|
- -.
|
| Vol 6, No 3, 2014 |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
|
|
- -.
|
| Vol 5, No 3, 2013 |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
|
|
- -.
|
| Vol 5, No 3, 2013 |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
|
|
- -.
|
| Vol 10, No 3, 2018 |
BIBLIOTEKA VGIK |
(Rus)
|
|
Editorial -.
|
| Vol 10, No 3, 2018 |
BIBLIOTEKA VGIK |
(Rus)
|
|
Edition -.
|
| Vol 10, No 1, 2018 |
BIBLIOTEKA VGIK |
(Rus)
|
|
- E.
|
| Vol 9, No 4, 2017 |
BIBLIOTEKA VGIK |
(Rus)
|
|
- -.
|
| Vol 9, No 4, 2017 |
BIBLIOTEKA VGIK |
(Rus)
|
|
- -.
|
| Vol 9, No 4, 2017 |
BIBLIOTEKA VGIK |
(Rus)
|
|
Editorial -.
|
| Vol 9, No 4, 2017 |
BIBLIOTEKA VGIK |
(Rus)
|
|
- -.
|
| Vol 9, No 2, 2017 |
Biblioteka VGIK |
(Rus)
|
|
- -.
|
| Vol 9, No 2, 2017 |
Biblioteka VGIK |
(Rus)
|
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- -.
|
| Vol 9, No 2, 2017 |
Biblioteka VGIK |
(Rus)
|
|
- -.
|
| Vol 8, No 4, 2016 |
BIBLIOTEKA VGIK |
(Rus)
|
|
- -.
|
| Vol 8, No 3, 2016 |
BIBLIOTEKA VGIK |
(Rus)
|
|
- -.
|
| Vol 8, No 3, 2016 |
BIBLIOTEKA VGIK |
(Rus)
|
|
- -.
|
| Vol 7, No 1, 2015 |
Biblioteka VGIK |
(Rus)
|
|
- -.
|
| Vol 6, No 4, 2014 |
BIBLIOTEKA VGIK |
(Rus)
|
|
- -.
|
| Vol 6, No 4, 2014 |
BIBLIOTEKA VGIK |
(Rus)
|
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- -.
|
| Vol 6, No 3, 2014 |
BIBLIOTEKA VGIK |
(Rus)
|
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- -.
|
| Vol 5, No 3, 2013 |
BIBLIOTEKA VGIK |
(Rus)
|
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- -.
|
| Vol 5, No 1, 2013 |
Biblioteka VGIK |
(Rus)
|
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- -.
|
| Vol 5, No 1, 2013 |
Biblioteka VGIK |
(Rus)
|
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- -.
|
| Vol 3, No 4, 2011 |
BIBLIOTEKA VGIK |
(Rus)
|
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- -.
|
| Vol 3, No 4, 2011 |
BIBLIOTEKA VGIK |
(Rus)
|
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- -.
|
| Vol 3, No 3, 2011 |
BIBLIOTEKA VGIK |
(Rus)
|
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- -.
|
| Vol 3, No 3, 2011 |
BIBLIOTEKA VGIK |
(Rus)
|
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- -.
|
| Vol 3, No 2, 2011 |
BIBLIOTEKA VGIK |
(Rus)
|
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- -.
|
| Vol 3, No 2, 2011 |
BIBLIOTEKA VGIK |
(Rus)
|
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- -.
|
| Vol 2, No 4, 2010 |
biblioteka VGIK |
(Rus)
|
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- -.
|
| Vol 2, No 4, 2010 |
biblioteka VGIK |
(Rus)
|
|
- -.
|
| Vol 12, No 4, 2020 |
B.M.Nemensky’s “Berlin Sketches” and the Traditions of Russian Fine Art |
(Rus)
|
|
Kleymenova O.
|
| Vol 10, No 2, 2018 |
BOOKSHELF |
(Rus)
|
|
- E.
|
| Vol 9, No 3, 2017 |
BOOKSHELF |
(Rus)
|
|
- -.
|
| Vol 6, No 2, 2014 |
Both Screenwriter and Director |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 7, No 3, 2015 |
Branding as a Factor of Competitiveness of the “Lenfilm” Studio |
(Rus)
|
|
Pankratova M.I.
|
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