Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”
Goryachok K.
Is Aesthetics a Metatheory in Relation to Art Criticism?
Nikitina I.
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines
Nikitina I.P.
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category
Nikitina I.P.
Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama
Kasmynin A.
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.S.
Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.V.
Video Aesthetics in Cinema and Video Art
Smolev D.D.
The 60s. Half a Century Later. Nostalgia
Prozhiko G.S.
The role and basic aspects of ‘‘the montage of attractions’’ in Russian cinema
Gulyaeva Y.V.
Landscape as a Leitmotif of a Film
Shakhovskaya N.A.
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture»
The 60s. Half a Century Later. Nostalgia
Prozhiko G.S.
The Role of Memory in the Perception of the Screen Image
Nikitina I.P.
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.V.
Artistic Space as a Modern Aesthetical Category
Nikitina I.P.
Maurice Maeterlinck’s Philosophy of Art
Mankovskaya N.B.
1 - 20 of 20 Items

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