Folklore Traditions of the Sverdlovsk Animation School
Tomilov Y.
VR-technologies in Animation
Yarovaya N.Y.
Chinese Animation in Wan brothers’ Creative Work
Gu Qijun -.
Education Genres Animated Poster in the Second Half of the 20th Century
Krivulya N.G.
The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years
Sputnitskaya N.Y.
Character’s Imagery in Russian Animation of 1990s
Prikhod’ko V.V.
Hoffmann’s Dual World in “Hoffmaniada”
Trapeznikova Y.V.
Collage Methods in Russian Animation Under Market Conditions
Trapeznikova Y.V.
Problems of Presentation and Typology of Demonic and Monstrous Characters in Animation (for the beginning see Issue #19)
Krivulya N.G.
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s
Sputnitskaya N.Y.
Cooperation between the Russian Animation Industry and Asian Partners
Krivulya N.
Screening Zurbagan: On Use of Animation in Russian Feature Cinema
Sputnitskaya N.Y.
The Origins of the First Sound Animation: Songs Series by the Fleischer Brothers
Krivulya N.G.
Problems of Animation Film Visual Anthropology
Krivulya N.G.
Isao Takahata’s Nostalgia
Karchava L.L.
On the Forth Dimension in Animation. Synthetic Peculiarities of Puppet Cartoon Screenwriting
Fomina V.A.
Development of the Animated Poster in the First Half of the XX century
Krivulya N.G.
Peculiarities of flash Animation
Trapeznikova Y.V.
Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream
Sputnitskaya N.Y.
1 - 19 of 19 Items

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