Cooperation between the Russian Animation Industry and Asian Partners

Cover Page


Cite item

Full Text

One of the main trends in the development of the Russian animation industry is the intensification of international cooperation and promotion on international media markets. Russian animators are developing different forms of international cooperation and co-production in the context of the economic crisis, financing problems, lack of second-tier personnel and production capacities, as well as national distribution problems. In the situation of a weakening relationship with European partners, there is an increase in cooperation with Asian companies.

The leading role is given to cooperation with China, due to the policies pursued by the two countries and close cultural interaction supported at the intergovernmental level. Russian companies are moving from outsourcing in film production to other forms of interaction, such as co-financing of projects and co-production. The essay analyzes the co-production experience of such leaders of the Russian animation industry as Riki, KinoAtis and Wizart Animation.

Co-production with foreign companies involves a number of problems caused by cultural, mental, legal and organizational differences. Still, it combines financial efforts and consolidates technical capabilities, raising the quality of films to the world level. Co-production also stimulates international distribution and reduces financial risks, opens up opportunities to conquer new markets and overcome the systems of quotes that exist in some countries. In the Russian animation industry, the number of co-produced films demonstrates a tendency to increase. The development of various forms of interaction between the Russian animation business and foreign partners and the presentation of coproduced films on international media markets contributes to the formation of Russia’s positive image and promotes its national interests, lifestyle and culture, affirming animation’s long-standing status of a soft power asset.

Restricted Access

Krivulya Natalya

Doctor of Arts, Associate Professor, Scientific Department, Higher School of Television of Moscow State University named after M.V.Lomonosov


Высшая школа (факультет) телевидения МГУ имени М.В.Ломоносова
, Scientific Department, Higher School of Television of Moscow State University named after M.V.Lomonosov

Author for correspondence.
Email: hstv-sn@bk.ru

SPIN-code: 2563-1306

References

  1. Al'-Nsur L.A., Makarov A.A. (2016) Faktory, vliyayushchie na vozmozhnosti rossijskoj kinematografii na kinorynke Kitaya [Factors Influencing on the Possibilities of Russian Cinema in China's Film Market]. Kreativnaya ekonomika. 2016. T. 10, № 12, pp. 1489–1502. (In Russ.).
  2. Bagrova A. Rossijskoe kino uzhe sobralo v zarubezhnom prokate bolee $30,5 mln [Russian cinema has already collected more than $30.5 million at the foreign box office]. URL.: BK podvodit itogi pervogo polugodiya 2018 goda (data obrashcheniya: 28.12.2018). (In Russ.).
  3. Zarubina O. Sozdateli “Smesharikov” vyhodyat na kitajskij rynok[Creators of “Kikoriki” / “Gogoriki” enter the Chinese market]. URL.: https://www.rbc.ru/spb_sz/04/07/2017/595b84bd9a79479ded06c133 (data obrashcheniya: 21.09.2018). (In Russ.).
  4. Kinoproizvodstvo i koprodukciya v Rossii. EHksport rossijskih fil'mov za rubezh. [Film production and co-production in Russia. Export of Russian films abroad]. Strasbourg. Evropejskaya audiovizual'naya observatoriya (Sovet Evropy), 2016. 95 p. (In Russ.).
  5. Kitajsko-rossijskoe sotrudnichestvo v animacionnoj industrii [Sino-Russian Cooperation in Animation Industry]. URL.: http://yiwufree.com/news/kitaysko-rossiyskoesotrudnichestvo-v-animatsionnoy-industrii/ (data obrashcheniya: 28.08.2018). (In Russ.).
  6. “Myagkaya sila” otechestvennoj animacii [“Soft power” of domestic animation]. Aktual'nye kommentarii. 01.06.2017. URL.: http://actualcomment.ru/tochka-perelomarossiyskoy-animaii-1706011433.html (data obrashcheniya: 21.08.2018). (In Russ.).
  7. Nacional'naya ideya i globalizaciya: kinematograf Kitaya [National idea and globalization: China's cinema]. URL.: https://dtf.ru/cinema/13858-nacionalnaya-ideya-i-globalizaciyakinematograf-kitaya (data obrashcheniya: 27.08.2018). (In Russ.).
  8. Rossijskaya kinoindustriya 2017. Analiticheskoe issledovanie [Russian film industry 2017. Analytical research.]. Moscow: Fond Kino, Informacionnoe agentstvo InterMedia, 2018. 286 p. (In Russ.).
  9. Sedyh I.A. (2017) Kinoindustriya Rossii [The film industry of Russia.]. Moscow: Nacional'nyj issledovatel'skij universitet Vysshaya shkola ehkonomiki. Centr razvitiya, 2017 // URL.: https://dcenter.hse.ru/data/2017/09/15/1173122290/Kinoindustriya%20Rossii%202017.pdf (data obrashcheniya: 28.08.2018). (In Russ.).
  10. Bendazzi G. Animation: A World History: Volume III: Contemporary Times. CRC Press, Focal Press 2016. 256 p.
  11. China Mulls Upping Film Quota by 10 (Exclusive). URL.: https://www.hollywoodreporter.com/news/china-mulls-upping-film-quota-678697 (data obrashcheniya: 03.09.2018).

Copyright (c) 2019 .

This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies