TV Speech: the Polycode Nature of Verbal Inclusions
Kemarskaya I.
Small Screen and Great Ambitions: Australian Television Series in the Cultural Context of the Country
Zvegintseva I.А.
Visual Discourses of Social Policy in TV Practice
Berezhnaya M.
Television: Process and Phenomenon
Shumakov S.L.
Film Viewing of the Russians on TV Channels: Sociological Analysis
Sharikov A.V.
Cable and Satellite: “Non-Fiction” Content
Belenkiy Y.M.
The mediabrend is urgency of the development in new economicalconditions
Yakusheva V.V., Yakusheva V.
Russian Television: the Conflict of Matrices
Dzyaloshinskiy I.M.
Game on TV as a form of effective communication
Volkova I.I.
Violence in Films: Three Preconditions for the Mimetic Effect
Tarasov K.A.
Aesthetic Features of the Modern TV-documentary
Shergova K.A., Shergova K.
Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization
Ilchenko S.N.
Television Impact on Children's Development: Experience of Positive Modeling
Makhovskaya O.I., Marchenko F.O.
Information Requirements of Society and Expressivity of Audiovisual Media
Malkova L.Y.
Screen in the new time
Krivosheev M.I., Krivocheev M.I.
Human Being in Media Arts: Character and TV Series
Kazyuchits M.F.
«The White Guard» on TV: fascinated by masscult mythology
Ilchenko S.N.
Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s
Kazyuchits M.F.
Techniques for compositional filling the space of a television frame
Shabalin V.V.
"The Karamazov Brothers" as intellectualgames
Il'chenko S.N., Ilchenko S.N.
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.L.
Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV
Malkova L.Y.
The Storming of the Winter Palace as a Mythmaking of National Screen Culture
Ilchenko S.N.
The Peculiarities of Modern Television Speech
Gegelova N.S.
«We» and «Others» - Their Actions and Our Reactions
Fedotova L.N.
Attraction on TV: rules of communication game
Kemarskaya I.N.
Russian Television: the Conflict of Matrices
Dzyaloshinskiy I.M.
What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»
Split Screen as a Method of Film Editing
Shabalin V.V.
Screen reality in the context media milieu modernization
Urazova S.L., Urazova S.L.
Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone"
Ilchenko S.N.
Video Aesthetics in Cinema and Video Art
Smolev D.D.
"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate
Il'chenko S.N., Ilchenko S.N.
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.L.
On modeling TV programs
Vanchenko T.P.
Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Kazyutchits M.F.
1 - 36 of 36 Items

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