Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema
Marusenkov V.
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”
Vinogradov V.V.
Initiation by Fear as a Model of Soviet Film Tales of the 1960s
Zernova P.
Modern Art History As a Human Science in a Situation of Cultural Turn
KHrenov N.
Cinema Magic: Mask and Myth
Kirillova N.
Riddle as a Structural Element of the Quest Genre
Yankovskiy A.N.
Postmodernism as Myths Generating Practice
Mankovskaya N.B.
Some Aspects of Mythological Reality
Chizhevskaya O.A., Chizhevskaya O.A.
The Significance of Myth in the Work of Andrey Zvyagintsev
Kljueva L.B.
Camp Aesthetics and Movie Mix
Tsyrkun N.A.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
From Greek Tragedy To Opera-Film
Kropova D.S.
Modern Art History As a Human Science in a Situation of Cultural Turn
Khrenov N.
Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film
Kropova D.S.
The creative work of Sergey Paradzhanov as an event of Postmodernism
Lukashova A.G.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
DiaMatrix. Eclectic Glance on the Historiosophy of the Soviet Cinema of the 1930-1940s
Apostolov A.I., Apostolov A.I.
1 - 17 of 17 Items

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