Vol 1, No 1, 2009

ANNIVERSARY YEAR | 90 YEARS

VGIK v rusle traditsiy i innovatsiy

Malyshev V.

Abstract

К 90-летию ВГИКа вышел в свет первый номер нового научного журнала «Вестник ВГИКа», призванный популяризировать среди широкой общественности ведущие направления научно-исследовательской деятельности, теоретические знания в различных областях кинематографии, телевидения и других видов экранного творчества. Профессора университета, руководители творческих мастерских, преподаватели, аспиранты, студенты прекрасно понимают значимость постоянно действующего теоретического «форума», где можно вести открытый диалог о судьбах кинокультуры, о вызовах XXI века, о цифровой среде, которую осваивает кинематограф всего мира, о многих других проблемах развития экранных искусств, не забывая при этом об уникальном художественном и теоретическом наследии, вошедшем в анналы мировой истории кино.

Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):4-8
pages 4-8 views

THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS

Historical time in a film structure

Marievskaya N.E.

Abstract

Time is the main expressive means of the cinema. Any film is a dynamic spiritual form of time. No film is free from historical time. Article under consideration covers study of different forms that historical time takes within the cinema work as the artistic whole. Analysis has been carried out on association of historical time with lyrical time of character and mythological time of film. The problem of "historical film" and historical stylization has been put forward.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):10-25
pages 10-25 views

Postmodernism as Myths Generating Practice

Mankovskaya N.B.

Abstract

The article deals with an aspect of postmodernism in art connected with the creation of new type of myths also on the base of newest technology. Speciicity of postmodern myths generation in cinema, literature, painting, actual art-practices is turned out. Particularities of its occidental and Russian varieties are analyzed on the examples of P. Greenaway, M. Barney, D. Prigov, I. Kabakov creations.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):26-45
pages 26-45 views

FILM LANGUAGE AND TIME | IMAGE GENESIS

Godmother of Alexander Askoldov

Perelstein R.M.

Abstract

«Klavdiya Vavilova from Alexander Askoldov's film «Commissar» is burnt by love, motherhood and revolution. As a mother she bears life, as a martyr of belief - death to the enemies. Still life takes over. The winner is a human being ready to sacrifice though building the Earthly Kingdom. That is the ugly paradox of Russian history of the beginning of the XXth century. It is not incidental that Alexander Blok's apostles are headed by Christ. Vavilova is one of the apostles. But the ilm «Commissar» would not be a masterpiece if the director had ignored the main testament of the Christian Bible - the testament of love.

Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):48-58
pages 48-58 views

SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY

Vliyanie kul'tury Drevnego Kitaya na sovremennyy kinematograf

Shaturnaya Y.I.

Abstract

This paper discusses aspects of the integration of philosophy dumb drain China's modern cinema culture. Features of the traditional philosophical thinking, in which the idea of the harmonious man and nature and the desire for spiritual puriication of man has become relevant to the modern worldview
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):60-64
pages 60-64 views

Alteration of perception of the screen image - actual trend analysis

Kosenkova N.G.

Abstract

The article is devoted to consideration of alteration of perception caused by influence of ways of reproduction of the screen images. The analysis of the factors influencing the process of perception is carried out. Special attention is given to inluence of TV and changes introduced by it. As consequence it changes the perception of reality and cause transformation of representation of the person about the validity. Development of new technologies caused changes in perception, but also in mentality and system of values of the modern spectator.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):65-75
pages 65-75 views

PERFORMANCE | ART OF PRESENTATION

«Ty zastavlyaesh' zriteley smeyat'sya i pomogaesh' im luchshe ponimat' zhizn'. Mne eto nravitsya»

Li V.

Abstract

В конце 50-х годов составители сборника «Актеры об игре актера» Льюис Функе (редактор отдела драмы «Нью-Йорк таймс») и Джон Бут (известный театральный критик) собрали беседы с 14 кумирами англо-американской сцены 50-х годов в надежде услышать из первых рук, в чем суть игры на сцене, как формируется большой талант и в какой степени рост артиста связан и переплетен с его жизненной судьбой. Каждая из бесед уникальна по-своему, но изюминкой книги можно назвать встречу с Вивиен Ли - в драматический момент расставания с Л. Оливье, когда недоброжелатели актрисы попытались реанимировать давнюю байку: «Красота скрывает отсутствие таланта». Тогда, несмотря на личную трагедию, актриса с блеском выступила на Бродвее в роли Паолы в пьесе Ж. Жироду «Поединок ангелов». Два года спустя, в 1960 году, она с таким же успехом повторила бродвейские гастроли в роли Паолы. Ответы В. Ли, которая обычно не давала интервью и избегала журналистов желтой прессы, свидетельствуют не только о масштабе ее дарования, высоком профессионализме, редкой скромности и требовательности к себе, но и о душевном благородстве и такте в тех случаях, когда вопросы касались ее личной жизни.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):78-96
pages 78-96 views

WORLD CINEMA | ANALYSIS

Cinema of Bulgaria at the turn of century

Utilov V.A.

Abstract

The article reflects dramatic changes in Bulgarian cinema of last 20 years and attempts of Bulgarian cinematographers to work out new approaches of ilmproducing within the framework of European cinema. Will it be possible for them not to sacrifice national identity?
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):98-110
pages 98-110 views

FILM BUSINESS | MANAGEMENT STRATEGY AND TACTICS

System of audiovisual content distribution with application of digital technologies

Levanskaya E.S.

Abstract

Distribution of audiovisual content endures great recesses today. Within the development of digital technologies new ways of distribution are used more and more oten. Internet, IPTV, mobile services not only expand possibilities of quick content delivery, but also open new perspectives of distribution, provide additional opportunities of sales and profit for producers and distributors. Success of several projects can already provide guidance on what to expect in future, and confirms necessity of new mechanisms and business - models of distribution.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):112-121
pages 112-121 views

SCIENCE LABORATORY | YOUNG SCIENTISTS’ RESEARCH

The creative work of Sergey Paradzhanov as an event of Postmodernism

Lukashova A.G.

Abstract

In this article a new method of analysis of S. Paradzhanov's creative work is suggested: the works of Paradzhanov-artist and Paradzhanov-director are examined as a united paradigm, which gives an opportunity to present the phenomenon of his art in the context of art culture of the 20th century in the most adequate way, and deine the connection of the aesthetics of his work and the basic tendencies of the past century.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):124-132
pages 124-132 views

WORKSHOP | LESSONS OF EXCELLENCE

About dubbing foreign ilms

ROUSSINOVA E.A.

Abstract

In overwhelming majority of cases the most part of distributed foreign movies are dubbed for Russian Federation. However the audience has the expirience of watching dubbed screen versions, while professionals and small part of cinema-goes criticize the quality of dubbing for modern foreign movies. One of the negative reason is baneful influence, destruction of director idea and crippling the film. The aim of dubbing companies is searching for the shit of meaning from one cultural language to another, i.e. realization of the process at intercultural level. By now this phenomenon has been used for leading the consciousness of audience
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):134-142
pages 134-142 views

READING-ROOM | BOOK SHELF

KNIGI RUKOPISI ZNANIYa

- -.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):143-143
pages 143-143 views

CHRONICLE IN DETAIL | CURRENT EVENTS

Choice of profession: the bases of producer's workmanship

Chigevskaya O.A.

Abstract

This is an interview with Boris Krishtul in which he talks about his many years experience in cinema, about diiculties of ilmmaking and some aspects of producer's profession. B. Krishtul produced some ilms in Russia and in other countries. It ia about the problems of cinematography, speciicity of producer's work, psychological laws of management, personnel training in the centre of attention.
Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):144-152
pages 144-152 views

НАУЧНО-ПРАКТИЧЕСКАЯ КОНФЕРЕНЦИЯ

Nauchno-prakticheskaya konferentsiya «Rossiyskiy kinobiznes: sovremennost' i perspektivy» k 90-letiyu VGIK i 100-letiyu professora B.N.Konopleva Rossiyskiy kinobiznes: sovremennost' i perspektivy

Urazova S.L.

Abstract

Исследования посвящены изучению стратегий развития российского кинобизнеса традиционных и инновационных форм представленных в отечественной киноиндустрии

Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):153-154
pages 153-154 views

SUMMARY | PRESENTATION OF AUTHORS

preasentation of authors

Urazova S.L.

Abstract

Content of the issue and authors affiliation

Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):155-157
pages 155-157 views

RECOMMENDATIONS AUTHORS

REKOMENDATsII AVTORAM

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Vestnik VGIK I Journal of Film Arts and Film Studies. 2009;1(1):158-160
pages 158-160 views

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