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Camp Aesthetics and Movie Mix
- Authors: Tsyrkun N.A.1
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Учреждение:
- Institute of Film Art (VGIK)
- Issue: Vol 5, No 3, 2013
- Pages: 96-104
- Section: WORLD CINEMA | ANALYSIS
- URL: https://old.vestnik-vgik.com/2074-0832/article/view/14898
- DOI: https://doi.org/10.17816/VGIK5396-104
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Abstract
The article is devoted to the “camp nature” of American movie mix and the process of acquiring its authentic stylistic form determined by its genesis on the one hand, and by the “sensibility of an era” (according to Susan Sontag who coined the term “Camp”), on the other. Using the example of “Batman” (1966) the author shows how the nar rative elements of a comic strip get arranged into a new pattern perceived as a fresh articulation of the “living myth”.
movie mix, camp, Comics Code Authority, “Batman”, “the sensibility of an era”, counter-culture, myth
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Tsyrkun Nina Alexandrovna
PhD, Head of the Modern Screen Art DepartmentInstitute of Film Art (VGIK)
References
- Wertham Fredric. Seduction of the Innocent. New York: Rinehart & Company, 1954. 397 p
- Comics Code Authority, The // сайт Comic Art ville Library. URL: http: // comicartville.com / comicscode.htm (дата обращения: 07.04.2012)
- Туровская М.И. Герои «безгеройного времени». Заметки о неканонических жанрах. — М.: Искусство, 1971. С. 90
- Зонтаг Сьюзен. Заметки о кэмпе // Мысль как страсть. М.: CEU Press, 1997. С. 58
- Зонтаг Сьюзен. Заметки о кэмпе // Мысль как страсть. — М.: CEU Press, 1997.
- Туровская М.И. Герои «безгеройного времени». Заметки о неканонических жанрах. — М.: Искусство, 1971.
- Comics Code Authority, The // сайт Comic Art ville Library: URL: http://comicartville.com/ comicscode.htm (дата обращения: 07.04.2012) Wertham, Fredric. Seduction of the Innocent. New York: Rinehart & Company, 1954.
