| Issue |
Title |
File |
| Vol 8, No 4, 2016 |
The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 12, No 4, 2020 |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 12, No 4, 2020 |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 12, No 4, 2020 |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 12, No 4, 2020 |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 3(49), 2021 |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 3(49), 2021 |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 3, No 3, 2011 |
The Line in Neo-Modernism Geometrical Abstraction |
(Rus)
|
|
Burov A.M.
|
| Vol 7, No 2, 2015 |
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film |
(Rus)
|
|
Kiselev A.O.
|
| Vol 10, No 1, 2018 |
The Media Image as a Motivator for the Humanization of Society |
(Rus)
|
|
Vazhenina O.A.
|
| Vol 2, No 1, 2010 |
The mediabrend is urgency of the development in new economicalconditions |
(Rus)
|
|
Yakusheva V.V., Yakusheva V.
|
| Vol 2, No 4, 2010 |
The Mirror Shield: the Camera as anInstrument of Civil Defence |
(Rus)
|
|
Naveskin R.A., Naveskin R.A.
|
| Vol 8, No 2, 2016 |
The Moral Law of Love Conservation |
(Rus)
|
|
Barabash N.A.
|
| Vol 9, No 1, 2017 |
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema |
(Rus)
|
|
Arysheva A.S.
|
| Vol 11, No 4, 2019 |
The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam |
(Rus)
|
|
Milydon V.
|
| Vol 5, No 3, 2013 |
The Myth of the Authenticity of the Wartime Newsreels |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 4, No 2-3, 2012 |
The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory |
(Rus)
|
|
Kluyeva L.B.
|
| Vol 4, No 4, 2012 |
The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory |
(Rus)
|
|
Kluyeva L.B.
|
| Vol 4, No 2-3, 2012 |
The Origins of Surrealism. Absolutizing the Unconscious |
(Rus)
|
|
Adashevskaya Z.A.
|
| Vol 10, No 1, 2018 |
The Origins of the First Sound Animation: Songs Series by the Fleischer Brothers |
(Rus)
|
|
Krivulya N.G.
|
| Vol 3, No 2, 2011 |
The Parable in the Work of World Film Masters |
(Rus)
|
|
Tugushi S.A.
|
| Vol 4, No 2-3, 2012 |
The Paradoxes of the Thaw Period |
(Rus)
|
|
Zaitseva L.A.
|
| Vol 2, No 4, 2010 |
The Pattern of Box-Office Receits |
(Rus)
|
|
Pigorev D.P., Pigorev D.P.
|
| Vol 4, No 4, 2012 |
The Peculiarities of Financial Management of Cinema Houses |
(Rus)
|
|
Ogurchikov P.K., Pichugin E.A.
|
| Vol 3, No 2, 2011 |
The Peculiarities of Modern Television Speech |
(Rus)
|
|
Gegelova N.S.
|
| Vol 13, No 2(48), 2021 |
The Perception of a Contemporary in Non-fiction Films |
(Rus)
|
|
Shtandke A.
|
| Vol 2, No 4, 2010 |
The Phenomenon of the French NewWave. Technology or Ideology? |
(Rus)
|
|
Vinogradov V.V., Vinogradov V.V.
|
| Vol 10, No 4, 2018 |
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines |
(Rus)
|
|
Nikitina I.P.
|
| Vol 3, No 4, 2011 |
The Poetic Cinema of the Post-Cultural Era |
(Rus)
|
|
Yeliseyeva Y.A.
|
| Vol 13, No 1, 2021 |
The Price of Going out to the Movies — the History and the Contemporaneousness |
(Rus)
|
|
Zhabskiy M., Tarasov K.A.
|
| Vol 9, No 1, 2017 |
The Principle of Mirror Reflection and the Ways of Manifesting the Transcendent in Tarkovsky’s The Mirror |
(Rus)
|
|
Klyueva L.B.
|
| Vol 5, No 3, 2013 |
The Problem Field of Modern Information Space |
(Rus)
|
|
Malyshev A.V.
|
| Vol 9, No 2, 2017 |
The Problem of Adaptation of Utopias in Russian Cinema |
(Rus)
|
|
Shesteric O.V.
|
| Vol 8, No 4, 2016 |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
|
Sveshnikov A.V.
|
| Vol 8, No 3, 2016 |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
|
Sveshnikov A.V.
|
| Vol 10, No 2, 2018 |
The Product of Film Industry - a Cultural Good in Commodity Form |
(Rus)
|
|
Zhabsky M.I.
|
| Vol 11, No 3, 2019 |
The profession of an artist-animator, or how to learn how to control the movement of a drawing |
(Rus)
|
|
Belonogova A.V.
|
| Vol 4, No 1, 2012 |
The Reflection of Ethno-Cultural Stereotypes in Film Art |
(Rus)
|
|
Monakhova M.O.
|
| Vol 11, No 3, 2019 |
The role and basic aspects of ‘‘the montage of attractions’’ in Russian cinema |
(Rus)
|
|
Gulyaeva Y.V.
|
| Vol 4, No 2-3, 2012 |
The Role of Memory in the Perception of the Screen Image |
(Rus)
|
|
Poznin V.F.
|
| Vol 4, No 2-3, 2012 |
The Role of Memory in the Perception of the Screen Image |
(Rus)
|
|
Nikitina I.P.
|
| Vol 5, No 2, 2013 |
The Role of the Information Space in the Culture of the Young Generation |
(Rus)
|
|
Malyshev A.V.
|
| Vol 11, No 4, 2019 |
The Russian Intelligentsia: Taming Nihilism in the Stalin Period |
(Rus)
|
|
Vinogradov V.
|
| Vol 10, No 1, 2018 |
The Science of the History of Media: Approaches and Concepts |
(Rus)
|
|
Bakulev G.P.
|
| Vol 3, No 2, 2011 |
The Search for Visual |
(Rus)
|
|
Yeliseyeva Y.A.
|
| Vol 3, No 4, 2011 |
The Search of New Distribution Patterns in Digital Media Environment |
(Rus)
|
|
Bakulev G.P.
|
| Vol 3, No 4, 2011 |
The Significance of Myth in the Work of Andrey Zvyagintsev |
(Rus)
|
|
Kljueva L.B.
|
| Vol 6, No 1, 2014 |
The Silent Era in Australian Cinema |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 11, No 1, 2019 |
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero |
(Eng)
(Rus)
|
|
Rusinova E.A.
|
| Vol 11, No 2, 2019 |
The sound world of the alienated film character |
(Rus)
|
|
Rusinova E.A.
|
| Vol 9, No 4, 2017 |
The Storming of the Winter Palace as a Mythmaking of National Screen Culture |
(Rus)
|
|
Ilchenko S.N.
|
| Vol 11, No 3, 2019 |
The story of one crime: in life, in literature and in cinema |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 12, No 1, 2020 |
The struggle for the Far East in the interpretation of the Vasilyev brothers |
(Rus)
|
|
Rostotskaya M.A.
|
| Vol 9, No 1, 2017 |
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture |
(Rus)
|
|
Rusinova E.A.
|
| Vol 7, No 4, 2015 |
The Theme of Apocalypse in Australian Cinema |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 10, No 1, 2018 |
The Transformation of the Jesse James’ Myth in Contemporary American Cinema |
(Rus)
|
|
Zakharov D.V.
|
| Vol 9, No 4, 2017 |
The Un-Gone Past in the Context of Research |
(Rus)
|
|
Pal'shkova M.A.
|
| Vol 2, No 2, 2010 |
The Unknown Cinema of the War and Victory |
(Rus)
|
|
Grashchenkova I.N., Grashchenkova I.N.
|
| Vol 13, No 3(49), 2021 |
The Victimizer-Victim Conflict as Represented in the Foreign Post-War Cinematograph |
(Rus)
|
|
Chirkina M.
|
| Vol 5, No 4, 2013 |
The Visible and Invisible Worlds in Louis Bunuel’s “Viridiana” |
(Rus)
|
|
Perelshtein R.M.
|
| Vol 8, No 3, 2016 |
The Visualization as a Way of Involvement in TV Commercials |
(Rus)
|
|
Fedotova L.N.
|
| Vol 4, No 2-3, 2012 |
The War in Yury German’s Novel «Operation «Happy New Year!» and Alexey German’s Film «Trial on the Road» |
(Rus)
|
|
Sibirtseva Y.I.
|
| Vol 10, No 3, 2018 |
The Way of Genre in Cinema Documentary |
(Rus)
(简体中)
|
|
Prozhiko G.S.
|
| Vol 8, No 1, 2016 |
The Year of Russian Cinema |
(Rus)
|
|
- -.
|
| Vol 13, No 1, 2021 |
The Year of Science and Technology |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 3(49), 2021 |
The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries |
(Rus)
|
|
Koneva M.
|
| Vol 11, No 2, 2019 |
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture |
(Rus)
|
|
Stroeva O.V.
|
| Vol 6, No 3, 2014 |
Theatre and Document: Opposition or Integration? |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 2, No 2, 2010 |
Theory of Marginality and the Cinemaof Postmodernism (P.P. Pasolini,R. Khamdamov, J. Stelling, L. von Trier) |
(Rus)
|
|
Koblenkova D.V., Koblenkova D.V.
|
| Vol 6, No 4, 2014 |
Time - Backwards: Mayakovsky Quotes Vertov |
(Rus)
|
|
Pronin A.A.
|
| Vol 6, No 4, 2014 |
Time and Essence. Study of Cinema Product Temporal Analysis |
(Rus)
|
|
Marievskaya N.Y.
|
| Vol 11, No 1, 2019 |
To academic film science |
(Rus)
|
|
Vinogradov V.V.
|
| Vol 12, No 2, 2020 |
To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema |
(Rus)
|
|
Malyshev V.
|
| Vol 4, No 4, 2012 |
To the Issue of Modernization of the Cultural Sphere State Regulations |
(Rus)
|
|
Molchanov I.N., Molchanova N.P.
|
| Vol 3, No 4, 2011 |
To the problem of correlation between a screen adaptation and its literary source |
(Rus)
|
|
Simonova S.A.
|
| Vol 3, No 1, 2011 |
To the Problem of Research Methods |
(Rus)
|
|
Gerashenko L.L.
|
| Vol 9, No 3, 2017 |
To the Problem of the Numinous. The Sacrum Level of A. Tarkovsky’ Films |
(Rus)
|
|
Klyueva L.B.
|
| Vol 3, No 2, 2011 |
To the Semiotics of the Mirror and Reflectivity |
(Rus)
|
|
Kljueva L.B.
|
| Vol 7, No 4, 2015 |
Toward the Sociological Rationalization of State Film Policy |
(Rus)
|
|
Zhabskiy M.I.
|
| Vol 2, No 2, 2010 |
Traditions and Innovations in Film Education |
(Rus)
|
|
Novikov A.V., Novikov A.V.
|
| Vol 8, No 4, 2016 |
Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film |
(Rus)
|
|
Kropova D.S.
|
| Vol 10, No 4, 2018 |
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch” |
(Rus)
|
|
Vinogradov V.V.
|
| Vol 12, No 1, 2020 |
Transmedia Storytelling: A Feature of the Digital Media World |
(Rus)
|
|
Bakulev G.P.
|
| Vol 5, No 4, 2013 |
Travel with Walter Salles |
(Rus)
|
|
Vetrova T.N.
|
| Vol 8, No 4, 2016 |
Travesty of the Sacred in Postmodernist Westerns |
(Rus)
|
|
Tsyrkun N.A.
|
| Vol 10, No 1, 2018 |
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years |
(Rus)
|
|
Parfentyeva E.N.
|
| Vol 8, No 2, 2016 |
Tribute to the Teacher |
(Rus)
|
|
- -.
|
| Vol 6, No 2, 2014 |
TV - always and everywhere, for all and for everyone |
(Rus)
|
|
Urazova S.L.
|
| Vol 7, No 4, 2015 |
TV Dramaturgy: Format Approach |
(Rus)
|
|
Kemarskaya I.N.
|
| Vol 8, No 4, 2016 |
TV Moves into Virtual Reality as a Projection of Development |
(Rus)
|
|
Urazova S.L.
|
| Vol 8, No 1, 2016 |
TV Project as a Specimen of Social Engineering |
(Rus)
|
|
Dmitrenko Y.L.
|
| Vol 6, No 4, 2014 |
TV- Show: From the Audience Habits To Principles of Dramaturgy |
(Rus)
|
|
Kemarskaya I.N.
|
| Vol 12, No 4, 2020 |
TV Speech: the Polycode Nature of Verbal Inclusions |
(Rus)
|
|
Kemarskaya I.
|
| Vol 8, No 4, 2016 |
Two Peoples, Two Worlds |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 5, No 3, 2013 |
Usloviya publikatsii statey v nauchnom periodicheskom zhurnale «Vestnik VGIK» |
(Rus)
|
|
- -.
|
| Vol 5, No 1, 2013 |
Usloviya publikatsii statey v nauchnom periodicheskom zhurnale «Vestnik VGIK» |
(Rus)
|
|
- -.
|
| Vol 2, No 4, 2010 |
Usloviya publikatsii statey v nauchnomperiodicheskom zhurnale «Vestnik VGIK» |
(Rus)
|
|
- -.
|
| Vol 3, No 1, 2011 |
V Ermitazhe - Prado |
(Rus)
|
|
Riss V.
|
| Vol 4, No 1, 2012 |
Vekovoy yubiley otechestvennoy animatsii |
(Rus)
|
|
- -.
|
| Vol 10, No 2, 2018 |
VGIK celebrates its 100th anniversary. Visit to the Republic of Kazakhstan |
(Rus)
|
|
- E.
|
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