| Issue |
Title |
File |
| Vol 11, No 1, 2019 |
Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype |
(Rus)
|
|
Karavaev D.L.
|
| Vol 7, No 1, 2015 |
Escaping Aesthetics, or What Film Theory Should Do? |
(Rus)
|
|
Tsyrkun N.A.
|
| Vol 4, No 1, 2012 |
Essential Peculiarities of Time Representation in the post-perestroika cinema |
(Rus)
|
|
Bezenkova M.V.
|
| Vol 9, No 3, 2017 |
Ethnographic Cinema: the Image of the Other |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 7, No 4, 2015 |
European Avant-guard: Dialectics of “Feature” and “Non-feature” Films |
(Rus)
|
|
Lyubovich M.V.
|
| Vol 5, No 1, 2013 |
European Film Avant-Garde: phenomenological interpretation of reality |
(Rus)
|
|
Lyubovich M.V.
|
| Vol 7, No 1, 2015 |
European Film Avant-Garde: Poetics of Objectiveness |
(Rus)
|
|
Lyubovich M.V.
|
| Vol 8, No 1, 2016 |
EVENTS IN THE DETAILS | EVENTS VGIK |
(Rus)
|
|
- -.
|
| Vol 9, No 1, 2017 |
Evergreen Theories of Mass Communication: Uses and Gratifications Approach |
(Rus)
|
|
Bakulev G.P.
|
| Vol 7, No 3, 2015 |
Evolution of Dramaturgy of Fiction Popular Science Films |
(Rus)
|
|
Kolodinskiy M.N.
|
| Vol 7, No 1, 2015 |
Evolution of Mythological Narrative in Sergey Bodrov's Work |
(Rus)
|
|
Kurdiayev G.I.
|
| Vol 12, No 3, 2020 |
Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War |
(Rus)
|
|
Danilov D.I.
|
| Vol 5, No 3, 2013 |
Evolution of the TV documentary genres and the principles of its classification |
(Rus)
|
|
Shergova X.A.
|
| Vol 12, No 4, 2020 |
Exhibition of coursework of 3rd year students of the Faculty of Art, VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 11, No 2, 2019 |
Existential problematics in the films of Pedro Costa |
(Rus)
|
|
Sandu V.O.
|
| Vol 11, No 1, 2019 |
Faculty as a unique school of creative communication |
(Rus)
|
|
Golubev V.A.
|
| Vol 7, No 4, 2015 |
Faith as One of the Universal Existential Categories |
(Rus)
|
|
Barabash N.A.
|
| Vol 7, No 3, 2015 |
Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect |
(Rus)
|
|
Pronin A.A.
|
| Vol 10, No 2, 2018 |
Film Art Against Avant-Garde? On the Onthology of Artistic Means |
(Rus)
|
|
Yakimovich A.K.
|
| Vol 2, No 3, 2010 |
Film Art in the System of Forming a Stage Identity Model |
(Rus)
|
|
Kolotayev V.A.
|
| Vol 5, No 2, 2013 |
Film as Text. Some Aspects of Text Analysis |
(Rus)
|
|
Kluyeva L.B.
|
| Vol 5, No 3, 2013 |
Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907) |
(Rus)
|
|
Kosinova M.I.
|
| Vol 9, No 4, 2017 |
Film Reconstruction of the Past as a Method of Understanding Reality |
(Rus)
|
|
Marusenkov V.V.
|
| Vol 6, No 4, 2014 |
Film Studies As a Normative Academic Discipline |
(Rus)
|
|
Nikitina I.P., Ivin A.A.
|
| Vol 10, No 3, 2018 |
Film Viewing of the Russians on TV Channels: Sociological Analysis |
(Rus)
|
|
Sharikov A.V.
|
| Vol 2, No 1, 2010 |
Films about filmmaking. Reality and game |
(Rus)
|
|
Perel'shteyn R.M., Perelshtein R.M.
|
| Vol 10, No 2, 2018 |
Financing Cinema Production as a High-Risk Activity |
(Rus)
|
|
Molchanova N.P.
|
| Vol 13, No 3(49), 2021 |
Fluctuations in the Media Market in an Era of Communication Abundance |
(Rus)
|
|
Urazova S.
|
| Vol 7, No 4, 2015 |
Focus - on Young Cinema |
(Rus)
|
|
- -.
|
| Vol 13, No 3(49), 2021 |
Focus on tradition and innovation! |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 1, 2021 |
Folklore Traditions of the Sverdlovsk Animation School |
(Rus)
|
|
Tomilov Y.
|
| Vol 2, No 2, 2010 |
Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production |
(Rus)
|
|
Sarymsakov S.K., Sarymsakov S.K.
|
| Vol 6, No 1, 2014 |
Fractal graphic as digital objectless art |
(Rus)
|
|
Nekrasov D.Y.
|
| Vol 11, No 2, 2019 |
Framing as a method of creating a film's metaphorical context |
(Rus)
|
|
Korobko R.V.
|
| Vol 13, No 1, 2021 |
Free Citation: Limits and Opportunities |
(Rus)
|
|
Zvegintseva E.
|
| Vol 6, No 2, 2014 |
Free Will and Existentialism of Death |
(Rus)
|
|
Barabash N.A.
|
| Vol 7, No 3, 2015 |
Freshman Day. At the crossroads of history and modernity |
(Rus)
|
|
- -.
|
| Vol 12, No 4, 2020 |
From a Screen Document to a Poetic Image. Making Sense |
(Rus)
|
|
Prozhiko G.
|
| Vol 6, No 1, 2014 |
From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov |
(Rus)
|
|
Khrenov N.A.
|
| Vol 7, No 2, 2015 |
From Greek Tragedy To Opera-Film |
(Rus)
|
|
Kropova D.S.
|
| Vol 13, No 2(48), 2021 |
From the First of September, VGIK! |
(Rus)
|
|
Editorial office a.
|
| Vol 7, No 1, 2015 |
From Theory to Methodology of Cinema |
(Rus)
|
|
Schtein S.Y.
|
| Vol 7, No 2, 2015 |
From Theory to Methodology of Cinema |
(Rus)
|
|
Schtein S.Y.
|
| Vol 7, No 3, 2015 |
Functional Duality of Cinema |
(Rus)
|
|
Ushkarev A.A.
|
| Vol 6, No 1, 2014 |
Game on TV as a form of effective communication |
(Rus)
|
|
Volkova I.I.
|
| Vol 9, No 2, 2017 |
Gender Analysis of the Film “The Poet and the Fallen Soul” |
(Rus)
|
|
Smagina S.A.
|
| Vol 3, No 2, 2011 |
Giotto: Open Cubes, Shallow Depths and Specific Repetition |
(Rus)
|
|
Burov A.M.
|
| Vol 6, No 1, 2014 |
Global criterion formation in producer’s decisions |
(Rus)
|
|
Krivolutskiy Y.V., Zakharova E.Y.
|
| Vol 1, No 1, 2009 |
Godmother of Alexander Askoldov |
(Rus)
|
|
Perelstein R.M.
|
| Vol 2, No 2, 2010 |
Gogol: Interpretational Paradoxes |
(Rus)
|
|
Rostotskaya M.A., Rostotskaya M.A.
|
| Vol 4, No 4, 2012 |
Golden Eagle-2012. Inpressions |
(Rus)
|
|
Yeliseyeva Y.A.
|
| Vol 5, No 2, 2013 |
Golden Eagle-2013. Inpressions |
(Rus)
|
|
Yeliseyeva Y.A.
|
| Vol 6, No 2, 2014 |
Graphic Trends in New Russian Cinema |
(Rus)
|
|
Eliseeva E.A.
|
| Vol 10, No 1, 2018 |
Grief as a Cognitive Metaphore in “Manchester by the Sea” |
(Rus)
|
|
Tsyrkun N.А.
|
| Vol 12, No 2, 2020 |
Grotesque as a Formative Method in the Drama of a Feature Film |
(Rus)
|
|
Babina A.
|
| Vol 6, No 2, 2014 |
Hands say (exhibition in the Museum Yermolova) |
(Rus)
|
|
- -.
|
| Vol 9, No 4, 2017 |
Hearing and Speech Voice Expressiveness of the Actor |
(Rus)
|
|
Avtushenko I.A.
|
| Vol 5, No 4, 2013 |
Hellenistic Period and Its Cultural Significance |
(Rus)
|
|
Pondopulo G.K.
|
| Vol 3, No 1, 2011 |
Hellenistic Reform. Epicureanism and Image Deviations |
(Rus)
|
|
Burov A.M.
|
| Vol 4, No 2-3, 2012 |
Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films |
(Rus)
|
|
Malyshev V.S.
|
| Vol 8, No 4, 2016 |
Historical Potential of Newsreel and Its Interpretation |
(Rus)
|
|
Belyakov V.K.
|
| Vol 12, No 1, 2020 |
Historical time and the image of the house in A. Sokurov’s work |
(Rus)
|
|
Klimenko N.V.
|
| Vol 1, No 1, 2009 |
Historical time in a film structure |
(Rus)
|
|
Marievskaya N.E.
|
| Vol 2, No 1, 2010 |
Historical time in a film structure(end, beginning in № 1) |
(Rus)
|
|
Marievskaya N.E., Marievskaya N.
|
| Vol 13, No 2(48), 2021 |
Historical Trauma as a Source of Grotesque in Cinema |
(Rus)
|
|
Babina A.
|
| Vol 2, No 1, 2010 |
History of the Portrait |
(Rus)
|
|
Trankvillitskiy Y.N., Trankvillitsky Y.
|
| Vol 5, No 4, 2013 |
Hoffmann’s Dual World in “Hoffmaniada” |
(Rus)
|
|
Trapeznikova Y.V.
|
| Vol 3, No 4, 2011 |
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen |
(Rus)
|
|
Urazova S.L.
|
| Vol 3, No 3, 2011 |
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen |
(Rus)
|
|
Urazova S.L.
|
| Vol 6, No 2, 2014 |
Hot summer MMKF'2014 |
(Rus)
|
|
- -.
|
| Vol 3, No 3, 2011 |
Human Being in Media Arts: Character and TV Series |
(Rus)
|
|
Kazyuchits M.F.
|
| Vol 3, No 2, 2011 |
Humanitarian Practices in Modern Audiovisual Technologies |
(Rus)
|
|
Urazova S.L.
|
| Vol 6, No 1, 2014 |
I am - caricaturist |
(Rus)
|
|
Maslennikov I.F.
|
| Vol 4, No 4, 2012 |
Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid” |
(Rus)
|
|
Mikheeva Y.V.
|
| Vol 9, No 3, 2017 |
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 2, No 4, 2010 |
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life" |
(Rus)
|
|
Urazovoy S.L., Urazova S.L.
|
| Vol 2, No 2, 2010 |
"I-Film" or "Insight-Film" as a Specific Type of Postmodern Journey. Language Strategy |
(Rus)
|
|
Klyueva L.B., Kluyeva L.B.
|
| Vol 7, No 3, 2015 |
II Scientific-Practical Conference “Innovative technologies in film and education”. VII International Children's Painting Competition “Cinema in children's drawings” |
(Rus)
|
|
- -.
|
| Vol 6, No 2, 2014 |
Impact of Technology on Screen Aesthetics |
(Rus)
|
|
Poznin V.F.
|
| Vol 6, No 3, 2014 |
Impressionism as an Expression of Social Consciousness |
(Rus)
|
|
Kharitonova N.S.
|
| Vol 11, No 4, 2019 |
In a holiday atmosphere |
(Rus)
|
|
edition J.
|
| Vol 2, No 2, 2010 |
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945 |
(Rus)
|
|
Utilov V.A., Utilov V.
|
| Vol 9, No 3, 2017 |
India and England in the Mirror of Screen |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 8, No 3, 2016 |
Indian Cinema: Past and Present |
(Rus)
|
|
Nefedova D.N.
|
| Vol 9, No 2, 2017 |
Individualism as a Cultural Syndrome in Recent American Cinema |
(Rus)
|
|
Tsyrkun N.A.
|
| Vol 9, No 4, 2017 |
Information Requirements of Society and Expressivity of Audiovisual Media |
(Rus)
|
|
Malkova L.Y.
|
| Vol 12, No 4, 2020 |
Initiation by Fear as a Model of Soviet Film Tales of the 1960s |
(Rus)
|
|
Zernova P.
|
| Vol 9, No 1, 2017 |
Innovations in the Financial Regulation of Culture and Art Institutions |
(Rus)
|
|
Molchanov I.N.
|
| Vol 7, No 2, 2015 |
Interaction of Artistic Culture of Russia and Scandinavian Countries at the turn of the 19th-20th Centuries |
(Rus)
|
|
Kharitonova N.S.
|
| Vol 7, No 4, 2015 |
Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema |
(Rus)
|
|
Ziborova O.P.
|
| Vol 10, No 4, 2018 |
Involuntary Behavior of Gogol’s Heroes |
(Rus)
|
|
Mildon V.I.
|
| Vol 7, No 3, 2015 |
Iran in Contemporary Russian Cinema (Film’s Visual Formula) |
(Rus)
|
|
Akhmad Mir Akhorli -.
|
| Vol 12, No 3, 2020 |
Is Aesthetics a Metatheory in Relation to Art Criticism? |
(Rus)
|
|
Nikitina I.
|
| Vol 13, No 2(48), 2021 |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
|
KHrenov N., KHrenov A.
|
| Vol 13, No 3(49), 2021 |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
|
KHrenov N., KHrenov A.
|
| Vol 8, No 2, 2016 |
Isao Takahata’s Nostalgia |
(Rus)
|
|
Karchava L.L.
|
| Vol 4, No 2-3, 2012 |
Iyun'skaya kinomaniya |
(Rus)
|
|
- -.
|
| Vol 5, No 2, 2013 |
Izobrazitel'noe reshenie v fil'me «Muzhchina i zhenshchina» |
(Rus)
|
|
Artemov V.V.
|
| Vol 6, No 4, 2014 |
James Mangold is “a jewel of a man” in American Cinema |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 2, No 3, 2010 |
Jean Cocteau. Trilogy about Death, or Between Dionysius and Apollo |
(Rus)
|
|
Vinogradov V.V., Kokto Z.
|
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