The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

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The article opening the cycle of publications Audiovisual Means of Creating Metadiegetic Space in Cinema’ systemizes means and technologies in sound direction that enable to create various spaces in a film as well as to convey the altered consciousness and the inner world of the character.

Rusinova Elena A

PhD in Art, Associate Professor, Vice-rector in charge of the Research Work


VGIK

Author for correspondence.
Email: editor@vestnik-vgik.com

References

  1. Казарян Р. Эстетика кинофонографии. - М.: Эйзенштейн-центр, 2011. - 248 с.
  2. Bordwell D., Thompson K. Film Art: An Introduction 2nd. ed. - New York: Addison and Wesley, 1979. - 544 p.
  3. Chion M. Audio-Vision: Sound on Screen. - New York: Columbia University Press, 1994. - 270 p.
  4. Gorbman С. Unheard Melodies: Narrative Film Music. - Bloomington, Indiana: Indiana University Press, 1987. - 190 p.
  5. Schafer R.M. The New Soundscape. BMI Canada, 1969. - 67 p.

Copyright (c) 2017 Rusinova E.A.

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