FILM LANGUAGE AND TIME | IMAGE GENESIS

Issue Title File
Vol 13, No 3(49), 2021 The Concept Of Self-Sacrifice In The Philosophy Of Andrei Tarkovsky’s Work PDF
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Kirillova N.
Vol 13, No 3(49), 2021 Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera” PDF
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Goryachok K.
Vol 13, No 2(48), 2021 A Stunt as a Plastic Metaphor in Epic Series “Liberation” PDF
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Danilov D.
Vol 13, No 2(48), 2021 Historical Trauma as a Source of Grotesque in Cinema PDF
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Babina A.
Vol 13, No 1, 2021 Screenlife vs. Classic Cinema PDF
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Shimokhin B.
Vol 13, No 1, 2021 Drama Features оf Documentary: Movie, TV Film, Streaming Platform PDF
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Trusevich E.
Vol 12, No 4, 2020 The Image of War in the Cinema of the 60s. Knights without Past and Future PDF
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Ianushko A.V.
Vol 12, No 4, 2020 Initiation by Fear as a Model of Soviet Film Tales of the 1960s PDF
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Zernova P.
Vol 12, No 3, 2020 Short Film: Genre Originality of Debuts PDF
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ZHdankina G., SHipulina N.
Vol 12, No 3, 2020 The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook PDF
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Park Young Eun ..
Vol 12, No 3, 2020 The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika” PDF
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Vinogradov V.
Vol 12, No 2, 2020 Reconstruction of the Past in the Reality of Screen Imagery PDF
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Marusenkov V.
Vol 12, No 2, 2020 A Study of the Film ‘‘Andrei Rublyov’’: from the Perspective of Neoplatonism and Ideology of Dionysius the Areopagite PDF
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Park Young Eun (.
Vol 12, No 1, 2020 Russian Сinema: Modest Charm of a Hollow Character? PDF
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Maryevskaya N.E.
Vol 12, No 1, 2020 Historical time and the image of the house in A. Sokurov’s work PDF
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Klimenko N.V.
Vol 11, No 4, 2019 Pyotr Chardynin’s The Idiot as a Phenomenon of Creative Reinterpretation of Dostoevsky’s Novel PDF
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Ryabokon’ A.
Vol 11, No 4, 2019 The Russian Intelligentsia: Taming Nihilism in the Stalin Period PDF
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Vinogradov V.
Vol 11, No 4, 2019 On the Problem of the Discourse Analysis of Literary Texts PDF
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Klyueva L.
Vol 11, No 3, 2019 The evolution of visual instruments of VR cinema PDF
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Matkin A.V.
Vol 11, No 3, 2019 The canons of capturing reality in the documentary cinema of the 1960s PDF
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Bezenkova M.V.
Vol 11, No 2, 2019 Viktor Turin's Turksib as an ecological message PDF
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Berkova N.N.
Vol 11, No 2, 2019 VR Cinema. Virtual Spectacle as a Dream PDF
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Novikov V.N.
Vol 11, No 1, 2019 Contemporary Russian cinema and its world contexts PDF
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Reisen O.K.
Vol 11, No 1, 2019 Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype PDF
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Karavaev D.L.
Vol 10, No 4, 2018 Contemporary Russian Cinema and Its World Contexts PDF
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Reisen O.K.
Vol 10, No 4, 2018 The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity PDF
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Mikheeva Y.V.
Vol 10, No 3, 2018 The Influence of Far Eastern Culture on the Creative Work of S.M.Eisenstein PDF
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Song J.I.
Vol 10, No 3, 2018 Mythologeme of Asceticism in the National Cinema the 1930s PDF
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Zubkina Y.V.
Vol 10, No 2, 2018 Screen Metamorphoses of Ivan Pyryev PDF
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Kirillova N.B.
Vol 10, No 1, 2018 Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years PDF
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Parfentyeva E.N.
Vol 9, No 4, 2017 The Storming of the Winter Palace as a Mythmaking of National Screen Culture PDF
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Ilchenko S.N.
Vol 9, No 4, 2017 Contemporary Hero in the Wartime Chronotope PDF
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Muradov A.B., Shergova K.A.
Vol 9, No 3, 2017 To the Problem of the Numinous. The Sacrum Level of A. Tarkovsky’ Films PDF
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Klyueva L.B.
Vol 9, No 3, 2017 Voice in the Metadiegetic Space of the Motion Picture PDF
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Rusinova E.A.
Vol 9, No 2, 2017 The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror” PDF
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Fedotkin S.V.
Vol 9, No 2, 2017 The Problem of Adaptation of Utopias in Russian Cinema PDF
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Shesteric O.V.
Vol 9, No 2, 2017 Music in the Metadigetic Space of the Motion Picture PDF
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Rusinova E.A.
Vol 9, No 1, 2017 The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture PDF
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Rusinova E.A.
Vol 9, No 1, 2017 The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema PDF
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Arysheva A.S.
Vol 9, No 1, 2017 Kinoteatr.doc in Search of the «Real» Movies PDF
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Kuzmina L.V.
Vol 8, No 4, 2016 Historical Potential of Newsreel and Its Interpretation PDF
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Belyakov V.K.
Vol 8, No 4, 2016 Patterns of Behavior in the Great Patriotic War’s Soviet Cinema PDF
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Rostotskaya M.A.
Vol 8, No 4, 2016 Destiny of Indian Cinema in Russia PDF
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Nefedova D.N.
Vol 8, No 3, 2016 Documentaries, 21st Century: Time to Sum Up PDF
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Poznin V.F.
Vol 8, No 2, 2016 Adultery in Russian Cinema: From the “Thaw” to the End of the Soviet Epoch PDF
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Fanina M.A.
Vol 8, No 1, 2016 Love in the Soviet Qnema as the Stereotype of Gender Relations PDF
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Fanina M.A.
Vol 7, No 4, 2015 Countercommunicative Mechanisms in the Artistic Practice of Cinema PDF
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Klyueva L.B.
Vol 7, No 4, 2015 Reconstruction as the Character Depiction Method in Documentary PDF
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Troukhina A.V.
Vol 7, No 3, 2015 Evolution of Dramaturgy of Fiction Popular Science Films PDF
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Kolodinskiy M.N.
Vol 7, No 3, 2015 Representation of Youth in Soviet Cinema of the 1950s PDF
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Zharikova V.V.
Vol 7, No 2, 2015 The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film PDF
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Kiselev A.O.
Vol 7, No 2, 2015 Stylistic Features Of Russian Arthouse PDF
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Poznin V.F.
Vol 7, No 2, 2015 Synthesis of National and Transnational in A. Konchalovsky's American Movies PDF
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Kurdiaev G.I.
Vol 7, No 1, 2015 “Deus ex Machina” as a Method of Constructing a Happy End in Film Art PDF
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Shevtsov V.A.
Vol 7, No 1, 2015 Evolution of Mythological Narrative in Sergey Bodrov's Work PDF
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Kurdiayev G.I.
Vol 6, No 4, 2014 Time - Backwards: Mayakovsky Quotes Vertov PDF
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Pronin A.A.
Vol 6, No 4, 2014 Time and Essence. Study of Cinema Product Temporal Analysis PDF
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Marievskaya N.Y.
Vol 6, No 3, 2014 Points of Disequilibrium in Narrative Dynamics and Their Structure PDF
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Marievskaya N.Y.
Vol 6, No 2, 2014 Screenplay as a Dynamic Process Model PDF
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Marievskaya N.Y.
Vol 6, No 1, 2014 From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov PDF
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Khrenov N.A.
Vol 6, No 1, 2014 On prerequisites for developing artistic time theory PDF
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Marievskaja N.E.
Vol 5, No 4, 2013 Hoffmann’s Dual World in “Hoffmaniada” PDF
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Trapeznikova Y.V.
Vol 5, No 4, 2013 Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy PDF
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Khrenov N.A.
Vol 5, No 4, 2013 Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound PDF
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Mikheeva Y.V.
Vol 5, No 4, 2013 On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze PDF
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Marievskaya N.Y.
Vol 5, No 3, 2013 Alexander Sokurov’s “Faust”: Goethe’s Philosophic Implications as a Problem PDF
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Khrenov N.A.
Vol 5, No 3, 2013 Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound PDF
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Mikheeva Y.V.
Vol 5, No 3, 2013 The Analysis of Artistic Time in the Theory of Film Dramaturgy PDF
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Marievskaya N.Y.
Vol 5, No 2, 2013 Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier» PDF
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Bezenkova M.V.
Vol 5, No 2, 2013 Representation and Reconstruction of the Time in Non-Fiction Films PDF
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Razgon L.N.
Vol 5, No 1, 2013 The Great Kamchatka Expedition PDF
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Golovnyov I.A.
Vol 4, No 4, 2012 Golden Eagle-2012. Inpressions PDF
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Yeliseyeva Y.A.
Vol 4, No 2-3, 2012 Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films PDF
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Malyshev V.S.
Vol 4, No 2-3, 2012 The Paradoxes of the Thaw Period PDF
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Zaitseva L.A.
Vol 4, No 2-3, 2012 Artistic and Aesthetical Aspects of the Systematic Change in the First Half of the 20th Century PDF
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Burov A.M.
Vol 4, No 2-3, 2012 The Image of Home in Cinema PDF
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Reizen O.K.
Vol 4, No 1, 2012 On the character transformation in the Russian Cinema PDF
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Sharapova M.A.
Vol 4, No 1, 2012 Essential Peculiarities of Time Representation in the post-perestroika cinema PDF
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Bezenkova M.V.
Vol 3, No 4, 2011 The Poetic Cinema of the Post-Cultural Era PDF
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Yeliseyeva Y.A.
Vol 3, No 3, 2011 A Symbolic Visual Structures in A. Sokurov's cinema PDF
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Tikhonova M.Y.
Vol 3, No 3, 2011 Cinema in the Phase of Private Interest PDF
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Zakharov D.V.
Vol 3, No 2, 2011 Giotto: Open Cubes, Shallow Depths and Specific Repetition PDF
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Burov A.M.
Vol 3, No 2, 2011 Artistic Ambitions of Screen Document at the Turn of the Century PDF
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Prozhiko G.S.
Vol 3, No 2, 2011 Mythology and Conventions of American Pre-War Cinema PDF
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Fomina V.A.
Vol 3, No 1, 2011 Hellenistic Reform. Epicureanism and Image Deviations PDF
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Burov A.M.
Vol 3, No 1, 2011 Artistic Ambitions of Screen Document at the Turn of the Century PDF
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Prozhiko G.S.
Vol 3, No 1, 2011 Situations and Characters of American Pre-War Cinema PDF
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Fomina V.A.
Vol 2, No 4, 2010 Classic Imagery. Pre-Socrates Philosophy, Socrates and Plato's "Advent" PDF
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Burov A.M., Burov A.M.
Vol 2, No 4, 2010 The Development of Female Characters in Central Asian Cinema PDF
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Abikeeva G.O., Abikeeva G.O.
Vol 2, No 3, 2010 Early Antique Imagery PDF
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Burov A.M.
Vol 2, No 3, 2010 On the importance of strategy changes of the discourse by the example of two Alexey Herman's films PDF
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Kljueva L.B.
Vol 2, No 2, 2010 "War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate PDF
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Il'chenko S.N., Ilchenko S.N.
Vol 2, No 2, 2010 "I-Film" or "Insight-Film" as a Specific Type of Postmodern Journey. Language Strategy PDF
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Klyueva L.B., Kluyeva L.B.
Vol 2, No 1, 2010 Remakes. The Artistic and Aesthetic Principles PDF
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Primakova N.V., Primakova N.V.
Vol 2, No 1, 2010 Aesthetic Features of the Modern TV-documentary PDF
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Shergova K.A., Shergova K.
Vol 1, No 1, 2009 Godmother of Alexander Askoldov PDF
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Perelstein R.M.
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