| 期 |
标题 |
文件 |
| 卷 10, 编号 4, 2018 |
“VGIK DAYS”: FOREIGN ROUTES |
(Rus)
|
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Статья -.
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| 卷 10, 编号 4, 2018 |
Contemporary Russian Cinema and Its World Contexts |
(Rus)
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Статья O.
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| 卷 10, 编号 4, 2018 |
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity |
(Rus)
|
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Статья Y.
|
| 卷 10, 编号 4, 2018 |
Involuntary Behavior of Gogol’s Heroes |
(Rus)
|
|
Статья V.
|
| 卷 10, 编号 4, 2018 |
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch” |
(Rus)
|
|
Статья V.
|
| 卷 10, 编号 4, 2018 |
Composition as a Method of Communication in the Teaching of Fine Arts |
(Rus)
|
|
Статья A.
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| 卷 10, 编号 4, 2018 |
Riddle as a Structural Element of the Quest Genre |
(Rus)
|
|
Статья A.
|
| 卷 10, 编号 4, 2018 |
The Culture of the XVIIIth Century and the Return to the Human Being |
(Rus)
|
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Статья G.
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| 卷 10, 编号 4, 2018 |
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines |
(Rus)
|
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Статья I.
|
| 卷 10, 编号 4, 2018 |
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century |
(Rus)
|
|
Статья S.
|
| 卷 10, 编号 4, 2018 |
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia |
(Rus)
|
|
Статья M.
|
| 卷 10, 编号 4, 2018 |
Visual Picture of the World in the Reflection of Modern Media |
(Rus)
|
|
Статья N.
|
| 卷 10, 编号 4, 2018 |
Library VGIK |
(Rus)
|
|
Статья a.
|
| 卷 10, 编号 4, 2018 |
Library VGIK |
(Rus)
|
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Статья a.
|
| 卷 10, 编号 4, 2018 |
Summary |
(Rus)
|
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Статья a.
|
| 卷 10, 编号 4, 2018 |
Recommendations to authors |
(Rus)
|
|
Статья a.
|
| 卷 10, 编号 4, 2018 |
Library VGIK |
(Rus)
|
|
Статья a.
|
| 卷 10, 编号 3, 2018 |
VGIK. Raznoobrazie graney mezhdunarodnogo sotrudnichestva |
(Rus)
|
|
Статья a.
|
| 卷 10, 编号 3, 2018 |
Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur? |
(Rus)
|
|
Статья A.
|
| 卷 10, 编号 3, 2018 |
Sound as a Sign and Artistic Symbol in Film |
(Rus)
|
|
Статья E.
|
| 卷 10, 编号 3, 2018 |
The Way of Genre in Cinema Documentary |
(Rus)
(简体中)
|
|
Статья G.
|
| 卷 10, 编号 3, 2018 |
The Influence of Far Eastern Culture on the Creative Work of S.M.Eisenstein |
(简体中)
(Rus)
|
|
Статья J.
|
| 卷 10, 编号 3, 2018 |
Mythologeme of Asceticism in the National Cinema the 1930s |
(Rus)
|
|
Статья Y.
|
| 卷 10, 编号 3, 2018 |
BIBLIOTEKA VGIK |
(Rus)
|
|
Статья -.
|
| 卷 10, 编号 3, 2018 |
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries |
(Rus)
|
|
Статья T.
|
| 卷 10, 编号 3, 2018 |
Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness |
(Rus)
|
|
Статья D.
|
| 卷 10, 编号 3, 2018 |
The Doppelgänger Motif in the “New Sincerity” Cinema |
(Rus)
|
|
Статья M.
|
| 卷 10, 编号 3, 2018 |
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal |
(Rus)
|
|
Статья S.
|
| 卷 10, 编号 3, 2018 |
Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film? |
(Rus)
|
|
Статья D.
|
| 卷 10, 编号 3, 2018 |
BIBLIOTEKA VGIK |
(Rus)
|
|
Статья -.
|
| 卷 10, 编号 3, 2018 |
Small Screen and Great Ambitions: Australian Television Series in the Cultural Context of the Country |
(Rus)
|
|
Статья I.
|
| 卷 10, 编号 3, 2018 |
Film Viewing of the Russians on TV Channels: Sociological Analysis |
(Rus)
|
|
Статья A.
|
| 卷 10, 编号 3, 2018 |
Multivariance of Reality in the Digital Paradigm |
(Rus)
(简体中)
|
|
Статья S.
|
| 卷 10, 编号 3, 2018 |
REKOMENDATsII AVTORAM |
(Rus)
|
|
Статья a.
|
| 卷 10, 编号 3, 2018 |
Editors article |
(Rus)
|
|
Статья j.
|
| 卷 10, 编号 2, 2018 |
VGIK celebrates its 100th anniversary. Visit to the Republic of Kazakhstan |
(Rus)
|
|
Статья E.
|
| 卷 10, 编号 2, 2018 |
Film Art Against Avant-Garde? On the Onthology of Artistic Means |
(Rus)
|
|
Статья A.
|
| 卷 10, 编号 2, 2018 |
The Product of Film Industry - a Cultural Good in Commodity Form |
(Rus)
|
|
Статья M.
|
| 卷 10, 编号 2, 2018 |
Screen Metamorphoses of Ivan Pyryev |
(Rus)
|
|
Статья N.
|
| 卷 10, 编号 2, 2018 |
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? |
(Rus)
|
|
Статья V.
|
| 卷 10, 编号 2, 2018 |
Mind-Body Dialectics in the Latest Science Fiction TV-Series |
(Rus)
|
|
Статья O.
|
| 卷 10, 编号 2, 2018 |
BOOKSHELF |
(Rus)
|
|
Статья E.
|
| 卷 10, 编号 2, 2018 |
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause |
(Rus)
|
|
Статья E., Статья E.
|
| 卷 10, 编号 2, 2018 |
Screen Self-Reflection: Classification of Species |
(Rus)
|
|
Статья M.
|
| 卷 10, 编号 2, 2018 |
Psychological Insight in Asgar Farhadi’s Early Films |
(Rus)
|
|
Статья N.
|
| 卷 10, 编号 2, 2018 |
Financing Cinema Production as a High-Risk Activity |
(Rus)
|
|
Статья N.
|
| 卷 10, 编号 2, 2018 |
Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia |
(Rus)
|
|
Статья V.
|
| 卷 10, 编号 2, 2018 |
“New Drama” in the Context of the Historical Film |
(Rus)
|
|
Статья L.
|
| 卷 10, 编号 2, 2018 |
RECOMMENDATIONS AUTHORS |
(Rus)
|
|
Статья E.
|
| 卷 10, 编号 2, 2018 |
Editorial article |
(Rus)
|
|
Статья J.
|
| 卷 10, 编号 1, 2018 |
The Birth of Cinema in the Russian Empire and Film Censorship |
(Rus)
|
|
Статья N.
|
| 卷 10, 编号 1, 2018 |
On «Pretty Young Lady», Dos Passos and the Textology of «Art» |
(Rus)
|
|
Статья V.
|
| 卷 10, 编号 1, 2018 |
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years |
(Rus)
|
|
Статья E.
|
| 卷 10, 编号 1, 2018 |
Grief as a Cognitive Metaphore in “Manchester by the Sea” |
(Rus)
|
|
Статья N.
|
| 卷 10, 编号 1, 2018 |
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? |
(Rus)
|
|
Статья V.
|
| 卷 10, 编号 1, 2018 |
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century |
(Rus)
|
|
Статья X.
|
| 卷 10, 编号 1, 2018 |
Maurice Maeterlinck’s Philosophy of Art |
(Rus)
|
|
Статья N.
|
| 卷 10, 编号 1, 2018 |
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music |
(Rus)
|
|
Статья E., Статья E.
|
| 卷 10, 编号 1, 2018 |
The Transformation of the Jesse James’ Myth in Contemporary American Cinema |
(Rus)
|
|
Статья D.
|
| 卷 10, 编号 1, 2018 |
The Origins of the First Sound Animation: Songs Series by the Fleischer Brothers |
(Rus)
|
|
Статья N.
|
| 卷 10, 编号 1, 2018 |
BIBLIOTEKA VGIK |
(Rus)
|
|
Статья E.
|
| 卷 10, 编号 1, 2018 |
The Science of the History of Media: Approaches and Concepts |
(Rus)
|
|
Статья G.
|
| 卷 10, 编号 1, 2018 |
The Media Image as a Motivator for the Humanization of Society |
(Rus)
|
|
Статья O.
|
| 卷 10, 编号 1, 2018 |
Sergey Eisenstein. A Look into Eternity |
(Rus)
|
|
Статья M.
|
| 卷 10, 编号 1, 2018 |
Editorial article |
(Rus)
|
|
Статья J.
|
| 卷 9, 编号 4, 2017 |
Educational project Triumph on Bothe Sides of the Ocean To the 75th Anniversary of the Oscar’s awarding for the Soviet film |
(Rus)
|
|
Статья -.
|
| 卷 9, 编号 4, 2017 |
The Birth of Cinema in the Russian Empire and Film Censorship |
(Rus)
|
|
Статья N.
|
| 卷 9, 编号 4, 2017 |
The Storming of the Winter Palace as a Mythmaking of National Screen Culture |
(Rus)
|
|
Статья S.
|
| 卷 9, 编号 4, 2017 |
Contemporary Hero in the Wartime Chronotope |
(Rus)
|
|
Статья A., Статья K.
|
| 卷 9, 编号 4, 2017 |
Film Reconstruction of the Past as a Method of Understanding Reality |
(Rus)
|
|
Статья V.
|
| 卷 9, 编号 4, 2017 |
Metaphor in Cinema: Specifics of its Creation and Perception |
(Rus)
|
|
Статья V.
|
| 卷 9, 编号 4, 2017 |
Criteria of Composition of Documentaries about Nature |
(Rus)
|
|
Статья N.
|
| 卷 9, 编号 4, 2017 |
Hearing and Speech Voice Expressiveness of the Actor |
(Rus)
|
|
Статья I.
|
| 卷 9, 编号 4, 2017 |
Synthesis of Arts in Vasily Kandinsky's Creative Work |
(Rus)
|
|
Статья N.
|
| 卷 9, 编号 4, 2017 |
Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s |
(Rus)
|
|
Статья M.
|
| 卷 9, 编号 4, 2017 |
Development of Culture: Methodological Basis of State Regulation |
(Rus)
|
|
Статья I.
|
| 卷 9, 编号 4, 2017 |
Information Requirements of Society and Expressivity of Audiovisual Media |
(Rus)
|
|
Статья L.
|
| 卷 9, 编号 4, 2017 |
BIBLIOTEKA VGIK |
(Rus)
|
|
Статья -.
|
| 卷 9, 编号 4, 2017 |
The Un-Gone Past in the Context of Research |
(Rus)
|
|
Статья M.
|
| 卷 9, 编号 4, 2017 |
Editorial article |
(Rus)
|
|
Статья J.
|
| 卷 9, 编号 3, 2017 |
Ethnographic Cinema: the Image of the Other |
(Rus)
|
|
Статья G.
|
| 卷 9, 编号 3, 2017 |
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s |
(Rus)
|
|
Статья N.
|
| 卷 9, 编号 3, 2017 |
To the Problem of the Numinous. The Sacrum Level of A. Tarkovsky’ Films |
(Rus)
|
|
Статья L.
|
| 卷 9, 编号 3, 2017 |
Voice in the Metadiegetic Space of the Motion Picture |
(Rus)
|
|
Статья E.
|
| 卷 9, 编号 3, 2017 |
Screen Imagery as Reflected through Mythologems |
(Rus)
|
|
Статья V.
|
| 卷 9, 编号 3, 2017 |
Keynote Narration and Theory of Distance: Analysis of the Seasons |
(Rus)
|
|
Статья S.
|
| 卷 9, 编号 3, 2017 |
Contextual Argumentation in the Humanities |
(Rus)
|
|
Статья A., Статья I.
|
| 卷 9, 编号 3, 2017 |
Mediatext Language Practices as a Factor in Representation of Reality |
(Rus)
|
|
Статья N.
|
| 卷 9, 编号 3, 2017 |
India and England in the Mirror of Screen |
(Rus)
|
|
Статья I.
|
| 卷 9, 编号 3, 2017 |
The Aspects of Body in American Film Noir (1941-1955) |
(Rus)
|
|
Статья K.
|
| 卷 9, 编号 3, 2017 |
Russia's Contribution to Digital TV Broadcasting |
(Rus)
|
|
Статья S.
|
| 卷 9, 编号 2, 2017 |
The Demand for Russian Cinema |
(Rus)
|
|
Статья M.
|
| 卷 9, 编号 2, 2017 |
Gender Analysis of the Film “The Poet and the Fallen Soul” |
(Rus)
|
|
Статья S.
|
| 卷 9, 编号 2, 2017 |
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries |
(Rus)
|
|
Статья D.
|
| 卷 9, 编号 2, 2017 |
Censorship Machine in the Soviet Cinema of the 1920s |
(Rus)
|
|
Статья A.
|
| 卷 9, 编号 2, 2017 |
The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror” |
(Rus)
|
|
Статья S.
|
| 卷 9, 编号 2, 2017 |
The Problem of Adaptation of Utopias in Russian Cinema |
(Rus)
|
|
Статья O.
|
| 卷 9, 编号 2, 2017 |
Music in the Metadigetic Space of the Motion Picture |
(Rus)
|
|
Статья E.
|
| 卷 9, 编号 2, 2017 |
Compensatory Happy Ending as a Typological Group of a Film Finale |
(Rus)
|
|
Статья V.
|
| 卷 9, 编号 2, 2017 |
Desktop Films. To Read or to Watch? |
(Rus)
|
|
Статья V.
|
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