State backing of non-fiction film

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The article, based on the authorial analysis of the post-Soviet documentary film, focuses on the state system of organizational and financial support. It is analyzed in comparison with the Soviet practices of thematic planning, its evolution over 20 years, legal inconsistencies of the transition to market relations, which either casts the documentary film back to the predetermined from above object-matters or presupposes the budget division between interested film producers. Many years’ experience in the Expert Council of the Culture Ministry allows the author to give an outward glance on the problem of the insufficient demand of the documentary cinema.
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Malkova Liliana Yuryevna

Ph.D, professor of TV and Broadcasting Department; head of the documentary panel of the Research Studies Institute of Cinema Art
Moscow State University; VGIK

References

  1. Документальное кино. Увидят ли его зрители? // СК-новости. 25.01.2010. С. 8.
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  3. Eurimages — http://www.coe. int/t/dg4/eurimages/ History/Coproduction/ default_en.asp (дата обращения 22.04.2012).
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Copyright (c) 2013 Malkova L.Y.

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