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Primary Cinema Sources of American Noir
- 作者: Статья K.N1
-
Учреждение:
- VGIK
- 期: 卷 8, 编号 2, 2016
- 页面: 108-118
- 栏目: WORLD CINEMA | ANALYSIS
- URL: https://old.vestnik-vgik.com/2074-0832/article/view/14711
- DOI: https://doi.org/10.17816/VGIK82108-118
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详细
The article analyses the two main sources of American ‘film noir’: the German cinema of the Weimar period (1919-1933) and American gangster film (1920-1930), pointing out the principal stylistic, thematic and conceptual techniques that influenced the forming of the ‘noir’ style in the American movies of the 1940-1950s.
film noir, style, gangster film, American cinema, Expressionism, New Objectivity, Kammerspielfilm, Weimar cinema
Статья Kasym N
Post-Graduate Student, Aesthetics, History and Theory of Culture
VGIK
编辑信件的主要联系方式.
Email: ilikenorah@gmail.com
References
- Айснер Л. Демонический экран. - Москва, Rosebud Publishing, 2010. - 240 с.
- Гусев А. Спасение по правилам: гангстерский фильм // SEANCE.RU// URL: http://seance.ru/ blog/eastern-promises/ (дата обращения: 27.04.2016).
- Кракауэр З. Психологическая история немецкого кино. От Калигари до Гитлера. - М.: Искусство, 1977. - 320 с.
- Brook V. Driven to Darkness: Jewish Emigré Directors and the Rise of Film Noir - New Jersey, Rutgers University Press, 2009. - 285 p.
- Spicer A. Film Noir - Harlow, England, Pearson Education Limited, 2002. - 250 p.
