Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?
KHrenov N., KHrenov A.
Drama Features оf Documentary: Movie, TV Film, Streaming Platform
Trusevich E.
Sound as a Sign and Artistic Symbol in Film
Rusinova E.A.
The Price of Going out to the Movies — the History and the Contemporaneousness
Zhabskiy M., Tarasov K.A.
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?
KHrenov N., KHrenov A.
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”
Goryachok K.
From Theory to Methodology of Cinema
Schtein S.Y.
To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema
Malyshev V.
From Theory to Methodology of Cinema
Schtein S.Y.
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
Reconstruction of the Past in the Reality of Screen Imagery
Marusenkov V.
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century
Smagina S.A.
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema
Marusenkov V.
The Way of Genre in Cinema Documentary
Prozhiko G.S.
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero
Rusinova E.A.
Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's
Kosinova M.I.
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia
Bezenkova M.V.
Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?
Khokhlova D.E.
Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War
Danilov D.I.
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal
Smagina S.A.
Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype
Karavaev D.L.
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Rusinova E.A., Khabchuk E.M.
Sound Space of M.Garrone’s Films: from Fiction to Reality
Sorokina J.
Cinema Policy of Simple Solutions
Zhabsky M.I.
Screen Image and the System of expressive Means in American Documentary of the 1960s
Kazyutchits M.F.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.V.
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker
Malyshev V.S.
Initiation by Fear as a Model of Soviet Film Tales of the 1960s
Zernova P.
The film star — the phenomenon of a parasocial relation
Zhabskiy M.I., Novoselova F.V., Tarasov К.А.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
Essential Peculiarities of Time Representation in the post-perestroika cinema
Bezenkova M.V.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
The Concept of Latent Dramaturgy in Contemporary Iranian Cinema
Chirkina M.
A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen
Grigoreva N.
Primary Cinema Sources of American Noir
Orozbaev K.N.
Gender Analysis of the Film “The Poet and the Fallen Soul”
Smagina S.A.
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”
Vinogradov V.
The sound world of the alienated film character
Rusinova E.A.
State Guardianship of Cinema: The Issue of Goal-Setting
Zhabsky M.I.
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film
Kiselev A.O.
The canons of capturing reality in the documentary cinema of the 1960s
Bezenkova M.V.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
Cinematic media in digital culture
Bakulev G.P.
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Rusinova E.A., Habchuk E.M.
Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema
Makarova M.
Techniques for Representing the Author in Alexander Sokurov’s films
Klimenko N.
Cinema in the Phase of Private Interest
Zakharov D.V.
Voice in the Metadiegetic Space of the Motion Picture
Rusinova E.A.
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Prozorovskaya I.
American cinema of the Great Depression. The «Social Restlessness Phase»
Zakharov D.V.
Phenomenon of Political Biopic in the English-Language Cinema
Morozova I.V.
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Parfentyeva E.N.
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”
Vinogradov V.V.
Methods of using the type expressiveness of the actor in the cinema of “new sincerity”
Kuznetsova M.O.
Postmodernism as Myths Generating Practice
Mankovskaya N.B.
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema")
Turitsyn V.N., Turitsyn V.N.
Situations and Characters of American Pre-War Cinema
Fomina V.A.
Alfred Schnittke and the End of Russian Classic Music
Mikheyeva Y.V.
Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films
Malyshev V.S.
The Images of China on Russian Screen. A Glance from the Audience
Andreyev A.L., Andreyev I.A.
Time and Essence. Study of Cinema Product Temporal Analysis
Marievskaya N.Y.
Screening Zurbagan: On Use of Animation in Russian Feature Cinema
Sputnitskaya N.Y.
Functional Duality of Cinema
Ushkarev A.A.
Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Kazyutchits M.F.
Censorship Machine in the Soviet Cinema of the 1920s
Nasrtdinova A.R.
Criteria of Composition of Documentaries about Nature
Berkova N.N.
Existential problematics in the films of Pedro Costa
Sandu V.O.
Traditions and Innovations in Film Education
Novikov A.V., Novikov A.V.
Screen in the new time
Krivosheev M.I., Krivocheev M.I.
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev
Pishita Y.M.
Film Studies As a Normative Academic Discipline
Nikitina I.P., Ivin A.A.
Movie Distribution Categories in Russia: Sample of Statistical Analysis
Ivanov O.V., Astakhova N.V., Ivanov D.O.
State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation
Zhdanova V.A.
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism
Vinogradov V.V.
Cinema of Arabic East: the Problem of Radical Islam
Shakhov A.S.
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Mylnikov D.Y.
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.F.
Contemporary Russian Cinema and Its World Contexts
Reisen O.K.
Methodological aspects of studying the history of Soviet cinema in the 1930s
Usuvaliev S.I.
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture
Stroeva O.V.
Dramatic Peculiarities of Ecological film
Trusevich Y.S.
Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)
Zakrevskaya :.A., Zakrevskaya A.A.
Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization
Ilchenko S.N.
The Poetic Cinema of the Post-Cultural Era
Yeliseyeva Y.A.
Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”
Mikheeva Y.V.
“Moscow text” in Russian cinema in the 1920s-1940s
Boyarshinova N.A.
Points of Disequilibrium in Narrative Dynamics and Their Structure
Marievskaya N.Y.
Stylistic Features Of Russian Arthouse
Poznin V.F.
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Mikheyeva Y.V.
American Biopic in Contemporary Cinema
Morozova I.V.
Individualism as a Cultural Syndrome in Recent American Cinema
Tsyrkun N.A.
Film Reconstruction of the Past as a Method of Understanding Reality
Marusenkov V.V.
“New Drama” in the Context of the Historical Film
Kuzmina L.V.
Screen Metamorphoses of Ivan Pyryev
Kirillova N.B.
The struggle for the Far East in the interpretation of the Vasilyev brothers
Rostotskaya M.A.
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.A.
Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production
Sarymsakov S.K., Sarymsakov S.K.
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