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Title

Authors

Vol 13, No 2(48), 2021

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 13, No 1, 2021

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Trusevich E.

(Rus)

Vol 13, No 1, 2021

The Price of Going out to the Movies — the History and the Contemporaneousness

Zhabskiy M., Tarasov K.A.

(Rus)

Vol 10, No 3, 2018

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 13, No 3(49), 2021

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

Vol 12, No 2, 2020

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

Vol 7, No 2, 2015

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 10, No 3, 2018

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.S.

(Rus)

Vol 13, No 3(49), 2021

Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”

Goryachok K.

(Rus)

Vol 7, No 1, 2015

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 10, No 3, 2018

The Way of Genre in Cinema Documentary

Prozhiko G.S.

(Rus)

(简体中)

Vol 13, No 1, 2021

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 12, No 2, 2020

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

Vol 13, No 3(49), 2021

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 10, No 4, 2018

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.A.

(Rus)

Vol 12, No 3, 2020

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.I.

(Rus)

Vol 10, No 3, 2018

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.A.

(Rus)

Vol 11, No 1, 2019

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.L.

(Rus)

Vol 10, No 2, 2018

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 11, No 1, 2019

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 5, No 4, 2013

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.I.

(Rus)

Vol 10, No 4, 2018

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.V.

(Rus)

Vol 10, No 3, 2018

Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?

Khokhlova D.E.

(Rus)

Vol 11, No 3, 2019

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.V.

(Rus)

Vol 3, No 2, 2011

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 9, No 4, 2017

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 13, No 2(48), 2021

Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema

Makarova M.

(Rus)

Vol 11, No 1, 2019

Cinematic media in digital culture

Bakulev G.P.

(Rus)

Vol 10, No 1, 2018

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 12, No 3, 2020

Techniques for Representing the Author in Alexander Sokurov’s films

Klimenko N.

(Rus)

Vol 3, No 3, 2011

Cinema in the Phase of Private Interest

Zakharov D.V.

(Rus)

Vol 9, No 3, 2017

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 12, No 2, 2020

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 5, No 2, 2013

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.V.

(Rus)

Vol 6, No 4, 2014

Phenomenon of Political Biopic in the English-Language Cinema

Morozova I.V.

(Rus)

Vol 10, No 1, 2018

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.N.

(Rus)

Vol 10, No 4, 2018

Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”

Vinogradov V.V.

(Rus)

Vol 12, No 4, 2020

Sound Space of M.Garrone’s Films: from Fiction to Reality

Sorokina J.

(Rus)

Vol 6, No 2, 2014

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 9, No 1, 2017

Screen Image and the System of expressive Means in American Documentary of the 1960s

Kazyutchits M.F.

(Rus)

Vol 10, No 1, 2018

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 10, No 4, 2018

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.V.

(Rus)

Vol 10, No 4, 2018

The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker

Malyshev V.S.

(Eng)

(简体中)

(Rus)

Vol 12, No 4, 2020

Initiation by Fear as a Model of Soviet Film Tales of the 1960s

Zernova P.

(Rus)

Vol 11, No 3, 2019

The film star — the phenomenon of a parasocial relation

Zhabskiy M.I., Novoselova F.V., Tarasov К.А.

(Rus)

Vol 3, No 1, 2011

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.S.

(Rus)

Vol 4, No 1, 2012

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.V.

(Rus)

Vol 6, No 3, 2014

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 12, No 4, 2020

The Concept of Latent Dramaturgy in Contemporary Iranian Cinema

Chirkina M.

(Rus)

Vol 12, No 2, 2020

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Grigoreva N.

(Rus)

Vol 8, No 2, 2016

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 9, No 2, 2017

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.A.

(Rus)

Vol 12, No 3, 2020

The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”

Vinogradov V.

(Rus)

Vol 11, No 2, 2019

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 6, No 3, 2014

State Guardianship of Cinema: The Issue of Goal-Setting

Zhabsky M.I.

(Rus)

Vol 7, No 2, 2015

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.O.

(Rus)

Vol 11, No 4, 2019

The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam

Milydon V.

(Rus)

Vol 11, No 2, 2019

VR Cinema. Virtual Spectacle as a Dream

Novikov V.N.

(Rus)

Vol 2, No 2, 2010

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V.I., Sidornko V.I.

(Rus)

Vol 2, No 4, 2010

A Film Director in Search of the Genre

Maslennikov I.F., Maslennikov I.F.

(Rus)

Vol 4, No 2-3, 2012

What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»

(Rus)

Vol 5, No 1, 2013

The Great Kamchatka Expedition

Golovnyov I.A.

(Rus)

Vol 6, No 3, 2014

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.V.

(Rus)

Vol 7, No 2, 2015

Screen Communications As a Form of Socialization and Individualization

Urazova S.L.

(Rus)

Vol 7, No 4, 2015

Naomi Kawase: the Eternal and the Transitory

Terakopyan M.L.

(Rus)

Vol 7, No 1, 2015

S.M. Eisenstein’s Aesthetics in Semiotic Perspective

Khrenov N.A.

(Rus)

Vol 7, No 4, 2015

Toward the Sociological Rationalization of State Film Policy

Zhabskiy M.I.

(Rus)

Vol 8, No 3, 2016

Documentaries, 21st Century: Time to Sum Up

Poznin V.F.

(Rus)

Vol 9, No 1, 2017

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 3, 2017

India and England in the Mirror of Screen

Zvegintseva I.A.

(Rus)

Vol 10, No 2, 2018

Financing Cinema Production as a High-Risk Activity

Molchanova N.P.

(Rus)

Vol 12, No 1, 2020

A screen version of the story of Salinger translated into Farsi

Grigoreva N.G.

(Rus)

Vol 11, No 1, 2019

Mass scenes as a way of manipulating the consciousness of the viewer

Arysheva A.S.

(Rus)

Vol 2, No 2, 2010

"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate

Il'chenko S.N., Ilchenko S.N.

(Rus)

Vol 3, No 2, 2011

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

Vol 3, No 3, 2011

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.M.

(Rus)

Vol 4, No 1, 2012

The Reflection of Ethno-Cultural Stereotypes in Film Art

Monakhova M.O.

(Rus)

Vol 5, No 2, 2013

Screen image. Aftereffect

Poznin V.F.

(Rus)

Vol 6, No 2, 2014

Both Screenwriter and Director

Zvegintseva I.A.

(Rus)

Vol 6, No 4, 2014

Video Art: “A White Cube” or “A Black Box”?

Staruseva-Persheeva A.D.

(Rus)

Vol 7, No 3, 2015

Iran in Contemporary Russian Cinema (Film’s Visual Formula)

Akhmad Mir Akhorli -.

(Rus)

Vol 8, No 1, 2016

The Birth of Identity in the Finnish Cinema

Ivannikova C.O.

(Rus)

Vol 8, No 4, 2016

“Provincial” Cinema on Global Orbits

Kirillova N.B.

(Rus)

Vol 9, No 1, 2017

Cinema and Globalization

Zhabskiy M.I.

(Rus)

Vol 9, No 3, 2017

Screen Imagery as Reflected through Mythologems

Marusenkov V.V.

(Rus)

Vol 10, No 2, 2018

Psychological Insight in Asgar Farhadi’s Early Films

Grigorieva N.G.

(Rus)

Vol 11, No 3, 2019

The story of one crime: in life, in literature and in cinema

Zvegintseva I.A.

(Rus)

Vol 2, No 2, 2010

A Long Story about a Big Set for a Short Episode

Tolkachev A.N., Tolkachov A.N.

(Rus)

Vol 2, No 2, 2010

In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945

Utilov V.A., Utilov V.

(Rus)

Vol 3, No 1, 2011

Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone"

Ilchenko S.N.

(Rus)

Vol 4, No 1, 2012

The factors of competitive ability of national film industries

Zhabskiy M.I.

(Rus)

Vol 5, No 3, 2013

Baz Luhrmann’s creative manner

Zvegintseva I.A.

(Rus)

Vol 6, No 2, 2014

Superhero Cinema Comics: Gender Transposition

Tsyrkun N.A.

(Rus)

Vol 6, No 4, 2014

James Mangold is “a jewel of a man” in American Cinema

Zvegintseva I.A.

(Rus)

Vol 7, No 2, 2015

Eisenstein’s Aesthetics in Semiotic Perspective

Khrenov N.A.

(Rus)

Vol 7, No 3, 2015

Video Art: Significant Absence of Editing as an Artistic Tool

Staruseva-Persheyeva A.D.

(Rus)

Vol 8, No 1, 2016

Love in the Soviet Qnema as the Stereotype of Gender Relations

Fanina M.A.

(Rus)

Vol 8, No 4, 2016

Destiny of Indian Cinema in Russia

Nefedova D.N.

(Rus)

Vol 9, No 2, 2017

Music in the Metadigetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 10, No 1, 2018

Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century

Melekhova X.A.

(Rus)

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