Screen Image and the System of expressive Means in American Documentary of the 1960s

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The article investigates the system of expressive means in documentary cinema and TV programs formed by the Dew Associates, a group of American documentary filmmakers, focusing on the ‘Direct Cinema’ peculiarities including observation and montage. The artistic techniques found by the group laid the basis for solving a number of topical issues of modern art.

Kazyutchits Maksim F

PhD (Philosophy), senior researcher, Department of Modern Screen Art, Institute of Film Art


Author for correspondence.


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Copyright (c) 2017 Kazyutchits M.F.

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