Screen Image and the System of expressive Means in American Documentary of the 1960s

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The article investigates the system of expressive means in documentary cinema and TV programs formed by the Dew Associates, a group of American documentary filmmakers, focusing on the ‘Direct Cinema’ peculiarities including observation and montage. The artistic techniques found by the group laid the basis for solving a number of topical issues of modern art.

Статья Maksim F

PhD (Philosophy), senior researcher, Department of Modern Screen Art, Institute of Film Art


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References

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版权所有 © Kazyutchits M.F., 2017

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