检索

Sound as a Sign and Artistic Symbol in Film

Статья E.

(Rus)

卷 13, 编号 1, 2021

The Price of Going out to the Movies — the History and the Contemporaneousness

Статья M., Статья K.

(Rus)

卷 13, 编号 3(49), 2021

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

Статья N., Статья A.

(Rus)

卷 13, 编号 3(49), 2021

Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”

Статья K.

(Rus)

卷 7, 编号 1, 2015

From Theory to Methodology of Cinema

Статья S.

(Rus)

From Theory to Methodology of Cinema

Статья S.

(Rus)

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Статья T.

(Rus)

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Статья V.

(Rus)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Статья S.

(Rus)

卷 13, 编号 3(49), 2021

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Статья V.

(Rus)

The Way of Genre in Cinema Documentary

Статья G.

(Rus)

(简体中)

卷 13, 编号 1, 2021

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Статья A.

(Rus)

Reconstruction of the Past in the Reality of Screen Imagery

Статья V.

(Rus)

Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?

Статья D.

(Rus)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Статья S.

(Rus)

卷 12, 编号 3, 2020

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Статья D.

(Rus)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Статья E., Статья E.

(Rus)

卷 11, 编号 1, 2019

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Статья D.

(Rus)

卷 11, 编号 1, 2019

电视屏幕上的游乐设施: 交通线游戏的规则

Статья E.

(Eng)

(Rus)

卷 5, 编号 4, 2013

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.

(Rus)

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Статья M.

(Rus)

卷 8, 编号 2, 2016

Primary Cinema Sources of American Noir

Статья K.

(Rus)

卷 9, 编号 2, 2017

Gender Analysis of the Film “The Poet and the Fallen Soul”

Статья S.

(Rus)

卷 12, 编号 4, 2020

The Concept of Latent Dramaturgy in Contemporary Iranian Cinema

Статья M.

(Rus)

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Статья N.

(Rus)

卷 11, 编号 2, 2019

The sound world of the alienated film character

Rusinova E.

(Rus)

State Guardianship of Cinema: The Issue of Goal-Setting

Статья M.

(Rus)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Статья A.

(Rus)

卷 12, 编号 3, 2020

The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”

Статья V.

(Rus)

卷 3, 编号 2, 2011

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

The Birth of Cinema in the Russian Empire and Film Censorship

Статья N.

(Rus)

The canons of capturing reality in the documentary cinema of the 1960s

Статья M.

(Rus)

卷 11, 编号 1, 2019

Cinematic media in digital culture

Статья G.

(Rus)

卷 10, 编号 1, 2018

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Статья E., Статья E.

(Rus)

卷 13, 编号 2(48), 2021

Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema

Статья M.

(Rus)

卷 3, 编号 3, 2011

Cinema in the Phase of Private Interest

Zakharov D.

(Rus)

卷 9, 编号 3, 2017

Voice in the Metadiegetic Space of the Motion Picture

Статья E.

(Rus)

卷 12, 编号 3, 2020

Techniques for Representing the Author in Alexander Sokurov’s films

Статья N.

(Rus)

卷 5, 编号 2, 2013

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.

(Rus)

卷 6, 编号 4, 2014

Phenomenon of Political Biopic in the English-Language Cinema

Статья I.

(Rus)

卷 10, 编号 1, 2018

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Статья E.

(Rus)

Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”

Статья V.

(Rus)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Статья I.

(Rus)

卷 6, 编号 2, 2014

Cinema Policy of Simple Solutions

Статья M.

(Rus)

卷 9, 编号 1, 2017

Screen Image and the System of expressive Means in American Documentary of the 1960s

Статья M.

(Rus)

卷 10, 编号 1, 2018

The Birth of Cinema in the Russian Empire and Film Censorship

Статья N.

(Rus)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Статья Y.

(Rus)

世界影坛杰作对制片人创造性世界观的影响

Статья V.

(Eng)

(简体中)

(Rus)

卷 12, 编号 4, 2020

Sound Space of M.Garrone’s Films: from Fiction to Reality

Статья J.

(Rus)

卷 3, 编号 1, 2011

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

卷 4, 编号 1, 2012

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.

(Rus)

Theatre and Document: Opposition or Integration?

Статья G.

(Rus)

卷 12, 编号 4, 2020

Initiation by Fear as a Model of Soviet Film Tales of the 1960s

Статья P.

(Rus)

The film star — the phenomenon of a parasocial relation

Статья M., Статья F., Статья К.

(Rus)

卷 11, 编号 2, 2019

The ‘hero archetype’ in the neo-mythological context of contemporary screen culture

Статья O.

(Rus)

卷 2, 编号 3, 2010

Dramatic Peculiarities of Ecological film

Trusevich Y.

(Rus)

卷 2, 编号 4, 2010

Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)

Zakrevskaya :., Zakrevskaya A.

(Rus)

卷 3, 编号 3, 2011

Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization

Ilchenko S.

(Rus)

卷 3, 编号 4, 2011

The Poetic Cinema of the Post-Cultural Era

Yeliseyeva Y.

(Rus)

卷 4, 编号 4, 2012

Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”

Mikheeva Y.

(Rus)

卷 6, 编号 1, 2014

“Moscow text” in Russian cinema in the 1920s-1940s

Статья N.

(Rus)

Points of Disequilibrium in Narrative Dynamics and Their Structure

Статья N.

(Rus)

Stylistic Features Of Russian Arthouse

Статья V.

(Rus)

卷 7, 编号 1, 2015

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Статья Y.

(Rus)

卷 8, 编号 1, 2016

American Biopic in Contemporary Cinema

Статья I.

(Rus)

卷 9, 编号 2, 2017

Individualism as a Cultural Syndrome in Recent American Cinema

Статья N.

(Rus)

Film Reconstruction of the Past as a Method of Understanding Reality

Статья V.

(Rus)

“New Drama” in the Context of the Historical Film

Статья L.

(Rus)

Screen Metamorphoses of Ivan Pyryev

Статья N.

(Rus)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Статья S.

(Rus)

卷 2, 编号 2, 2010

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S., Sarymsakov S.

(Rus)

卷 2, 编号 4, 2010

"The Karamazov Brothers" as intellectualgames

Il'chenko S., Ilchenko S.

(Rus)

卷 3, 编号 2, 2011

Mythology and Conventions of American Pre-War Cinema

Fomina V.

(Rus)

卷 3, 编号 4, 2011

Moral Aspects of Russian PreRevolutionary Cinema

Rostotskaya M.

(Rus)

卷 5, 编号 2, 2013

Algeria: Birth of Cinema

Shakhov A.

(Rus)

卷 6, 编号 1, 2014

Soviet cinema as a state budget’s contributor. Distribution in the 1930s

Статья M.

(Rus)

卷 8, 编号 1, 2016

Emotional Influence on the Viewer in Contemporary American Cinema

Статья F.

(Rus)

卷 8, 编号 2, 2016

Structural Analysis of Film Characters

Статья M.

(Rus)

卷 9, 编号 1, 2017

Music as a Part of the Theatrical Game of the Movie

Статья Y.

(Rus)

Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s

Статья M.

(Rus)

The Storming of the Winter Palace as a Mythmaking of National Screen Culture

Статья S.

(Rus)

卷 12, 编号 1, 2020

The struggle for the Far East in the interpretation of the Vasilyev brothers

Статья M.

(Rus)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Статья E.

(Rus)

卷 11, 编号 2, 2019

VR Cinema. Virtual Spectacle as a Dream

Статья V.

(Rus)

卷 2, 编号 2, 2010

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V., Sidornko V.

(Rus)

卷 2, 编号 4, 2010

A Film Director in Search of the Genre

Maslennikov I., Maslennikov I.

(Rus)

卷 4, 编号 2-3, 2012

What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»

(Rus)

卷 5, 编号 1, 2013

The Great Kamchatka Expedition

Golovnyov I.

(Rus)

Silence of the Author: Semantics of Muting in Cinema

Статья Y.

(Rus)

Screen Communications As a Form of Socialization and Individualization

Статья S.

(Rus)

卷 7, 编号 4, 2015

Naomi Kawase: the Eternal and the Transitory

Статья M.

(Rus)

卷 7, 编号 1, 2015

S.M. Eisenstein’s Aesthetics in Semiotic Perspective

Статья N.

(Rus)

卷 7, 编号 4, 2015

Toward the Sociological Rationalization of State Film Policy

Статья M.

(Rus)

卷 8, 编号 3, 2016

Documentaries, 21st Century: Time to Sum Up

Статья V.

(Rus)

卷 9, 编号 1, 2017

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Статья E.

(Rus)

卷 9, 编号 3, 2017

India and England in the Mirror of Screen

Статья I.

(Rus)