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Title

Authors

Vol 12, No 1, 2020

The struggle for the Far East in the interpretation of the Vasilyev brothers

Rostotskaya M.A.

(Rus)

Vol 11, No 2, 2019

Russian Documentary at the Turn of the 21st Century

Prozhiko G.S.

(Rus)

Vol 2, No 2, 2010

Artist and Repression: Reflections

Perel'shteyn R.M., Perelshtein R.M.

(Rus)

Vol 2, No 2, 2010

The Unknown Cinema of the War and Victory

Grashchenkova I.N., Grashchenkova I.N.

(Rus)

Vol 5, No 1, 2013

The Great Kamchatka Expedition

Golovnyov I.A.

(Rus)

Vol 6, No 3, 2014

Crime Teenpic as a Subgenre of American Cinema

Zharikova V.V.

(Rus)

Vol 7, No 2, 2015

Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV

Malkova L.Y.

(Rus)

Vol 7, No 1, 2015

European Film Avant-Garde: Poetics of Objectiveness

Lyubovich M.V.

(Rus)

Vol 8, No 1, 2016

Emotional Influence on the Viewer in Contemporary American Cinema

Vital F.Y.

(Rus)

Vol 8, No 3, 2016

Specifics of Imaginative Approach in the US Documentary of 1960-2000s

Kazyutchits M.F.

(Rus)

Vol 8, No 4, 2016

Two Peoples, Two Worlds

Zvegintseva I.A.

(Rus)

Vol 10, No 2, 2018

Financing Cinema Production as a High-Risk Activity

Molchanova N.P.

(Rus)

Vol 11, No 1, 2019

Cinematic media in digital culture

Bakulev G.P.

(Rus)

Vol 2, No 2, 2010

Traditions and Innovations in Film Education

Novikov A.V., Novikov A.V.

(Rus)

Vol 3, No 1, 2011

The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme

Perelshtein R.M.

(Rus)

Vol 4, No 4, 2012

The Formula of Producer’s Happiness?

Bakulev G.P.

(Rus)

Vol 5, No 1, 2013

Does cinema remain the driving force of screen culture?

Kirillova N.B.

(Rus)

Vol 5, No 4, 2013

Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants

Fyodorova A.A.

(Rus)

Vol 6, No 3, 2014

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.V.

(Rus)

Vol 7, No 2, 2015

Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis

Ivannikova K.O.

(Rus)

Vol 7, No 4, 2015

Toward the Sociological Rationalization of State Film Policy

Zhabskiy M.I.

(Rus)

Vol 8, No 3, 2016

The Influence of the Painting Tradition on Derek Jarman’s Films

Denisova I.V.

(Rus)

Vol 8, No 4, 2016

Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film

Kropova D.S.

(Rus)

Vol 10, No 2, 2018

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 12, No 1, 2020

Stopover? Non-fiction movies in the first decade after the millennium

Prozhiko G.S.

(Rus)

Vol 11, No 3, 2019

Methods of using the type expressiveness of the actor in the cinema of “new sincerity”

Kuznetsova M.O.

(Rus)

Vol 1, No 1, 2009

Choice of profession: the bases of producer's workmanship

Chigevskaya O.A.

(Rus)

Vol 2, No 2, 2010

Some Aspects of Mythological Reality

Chizhevskaya O.A., Chizhevskaya O.A.

(Rus)

Vol 4, No 4, 2012

The Peculiarities of Financial Management of Cinema Houses

Ogurchikov P.K., Pichugin E.A.

(Rus)

Vol 5, No 2, 2013

Screen image. Aftereffect

Poznin V.F.

(Rus)

Vol 5, No 3, 2013

The Myth of the Authenticity of the Wartime Newsreels

Prozhiko G.S.

(Rus)

Vol 6, No 3, 2014

Cinematic Nature of English Pre-Raphaelites’ Painting

Bernatonite A.V.

(Rus)

Vol 7, No 2, 2015

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.O.

(Rus)

Vol 7, No 1, 2015

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 8, No 4, 2016

Destiny of Indian Cinema in Russia

Nefedova D.N.

(Rus)

Vol 9, No 2, 2017

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.A.

(Rus)

Vol 1, No 1, 2009

About dubbing foreign ilms

ROUSSINOVA E.A.

(Rus)

Vol 2, No 3, 2010

Artistic Merit as a Russian Film Competitiveness Factor

Ziborova O.P.

(Rus)

Vol 2, No 1, 2010

Screen in the new time

Krivosheev M.I., Krivocheev M.I.

(Rus)

Vol 4, No 2-3, 2012

Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)

Bychkov V.V.

(Rus)

Vol 5, No 3, 2013

“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice

Burov A.M.

(Rus)

Vol 6, No 2, 2014

Impact of Technology on Screen Aesthetics

Poznin V.F.

(Rus)

Vol 7, No 2, 2015

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 7, No 3, 2015

Visualization Techniques on Business TV

Dolgova Y.I.

(Rus)

Vol 8, No 1, 2016

The Birth of Identity in the Finnish Cinema

Ivannikova C.O.

(Rus)

Vol 8, No 2, 2016

Violence in Films: Three Preconditions for the Mimetic Effect

Tarasov K.A.

(Rus)

Vol 8, No 4, 2016

The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years

Sputnitskaya N.Y.

(Rus)

Vol 9, No 3, 2017

Screen Imagery as Reflected through Mythologems

Marusenkov V.V.

(Rus)

Vol 10, No 2, 2018

Screen Metamorphoses of Ivan Pyryev

Kirillova N.B.

(Rus)

Vol 10, No 4, 2018

The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker

Malyshev V.S.

(Eng)

(简体中)

(Rus)

Vol 2, No 2, 2010

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S.K., Sarymsakov S.K.

(Rus)

Vol 2, No 4, 2010

The Mirror Shield: the Camera as anInstrument of Civil Defence

Naveskin R.A., Naveskin R.A.

(Rus)

Vol 4, No 2-3, 2012

Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality»

Bezenkova M.V.

(Rus)

Vol 5, No 1, 2013

European Film Avant-Garde: phenomenological interpretation of reality

Lyubovich M.V.

(Rus)

Vol 6, No 2, 2014

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 7, No 4, 2015

The Theme of Apocalypse in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 9, No 3, 2017

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 2, No 2, 2010

A Long Story about a Big Set for a Short Episode

Tolkachev A.N., Tolkachov A.N.

(Rus)

Vol 2, No 2, 2010

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V.I., Sidornko V.I.

(Rus)

Vol 2, No 4, 2010

The Pattern of Box-Office Receits

Pigorev D.P., Pigorev D.P.

(Rus)

Vol 3, No 4, 2011

The Search of New Distribution Patterns in Digital Media Environment

Bakulev G.P.

(Rus)

Vol 6, No 1, 2014

The Silent Era in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 6, No 3, 2014

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 7, No 4, 2015

Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema

Ziborova O.P.

(Rus)

Vol 7, No 3, 2015

Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect

Pronin A.A.

(Rus)

Vol 9, No 1, 2017

“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016)

Gordin V.E., Elkanova E.M.

(Rus)

Vol 9, No 1, 2017

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 3, 2017

Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s

Sputnitskaya N.Y.

(Rus)

Vol 10, No 2, 2018

Film Art Against Avant-Garde? On the Onthology of Artistic Means

Yakimovich A.K.

(Rus)

101 - 169 of 169 Items << < 1 2

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