检索

标题
作者
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines
Статья I.
Alexander Dovzhenko. Poetic Space of Immortality
Статья V.
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema
Статья V.
Modern art history as a human science in a situation of cultural turn
Статья N.
Is Aesthetics a Metatheory in Relation to Art Criticism?
Статья I.
Modern Art History As a Human Science in a Situation of Cultural Turn
Статья N.
The Way of Genre in Cinema Documentary
Статья G.
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category
Статья I.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Статья X.
Modern Art History As a Human Science in a Situation of Cultural Turn
Статья N.
Some Aspects of Mythological Reality
Chizhevskaya O., Chizhevskaya O.
Stylistic Features Of Russian Arthouse
Статья V.
Maurice Maeterlinck’s Philosophy of Art
Статья N.
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art
Статья O.
A Character in the Space of Leisure. An Essay on Dramatic Composition of Film
Статья N.
Video Aesthetics in Cinema and Video Art
Статья D.
The Role of Memory in the Perception of the Screen Image
Nikitina I.
Composition as a Method of Communication in the Teaching of Fine Arts
Статья A.
Modern art history as a human science in a situation of cultural turn
Статья N.
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R., Naveskin R.
Art and politics
Nikitina I.
Video Art: “A White Cube” or “A Black Box”?
Статья A.
Reconstruction of the Past in the Reality of Screen Imagery
Статья V.
The creative work of Sergey Paradzhanov as an event of Postmodernism
Lukashova A.
Postmodernism as Myths Generating Practice
Mankovskaya N.
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme
Perelshtein R.
“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice
Burov A.
L.S. Vygotsky On Psychological Properties of Art Form Organization
Статья A.
On The Matter of Market in Cinema
Статья M.
Screen Imagery as Reflected through Mythologems
Статья V.
The story of one crime: in life, in literature and in cinema
Статья I.
Still Life in the Space of the Film
Gvozdeva Y.
Creative Thinking as a Prelude to Creativity in Producing a Screen Product
Статья S.
The Influence of the Painting Tradition on Derek Jarman’s Films
Статья I.
Some Aspects of Film Color Semantics and Cultural Tradition
Klopotovskaya E., Klopotovskaya Y.
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture»
Silence of the Author: Semantics of Muting in Cinema
Статья Y.
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy
Статья A.
History of the Portrait
Trankvillitskiy Y., Trankvillitsky Y.
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)
Bychkov V.
Artistic Thinking as a Characteristic Property of Creative Intellect
Статья A.
Structural Analysis of Film Characters
Статья M.
Mass scenes as a way of manipulating the consciousness of the viewer
Статья A.
Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4)
Klopotovskaya Y.
Impact of Technology on Screen Aesthetics
Статья V.
Video Art: Significant Absence of Editing as an Artistic Tool
Статья A.
Animated Poster: Its Origins, Specificity and Peculiarity
Статья N.
Modern art history as a human science in a situation of cultural turn
Khrenov N.
Early Antique Imagery
Burov A.
The Role of Memory in the Perception of the Screen Image
Poznin V.
Theatre and Document: Opposition or Integration?
Статья G.
Functional Duality of Cinema
Статья A.
Innovations in the Financial Regulation of Culture and Art Institutions
Статья I.
Film Art Against Avant-Garde? On the Onthology of Artistic Means
Статья A.
The environment of the cinematic spectacle. The architecture of the early Russian movie theaters
Anisimov A.
Economic Regulation in the Sphere of Culture and Art: the Current State and Essential Problems
Статья I.
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy
Статья A.
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S., Urazova S.
Does cinema remain the driving force of screen culture?
Kirillova N.
The Art of Opera: Variability of Artistic Languages of Screen Forms
Статья A.
Development of the Financial Relations in the Cultural Sphere
Статья I.
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema
Статья A.
1 - 62 的 62 信息

检索提示:

  • 检索的名词区分大小写
  • 常用字词将被忽略
  • 默认情况下只有在查询结果满足所有检索词才返回(例如,隐含AND)
  • 使用OR结合多个检索词,便于查找含有这些检索词的文章,例如education OR research
  • 使用括号来创建更复杂的查询; 例如:archive ((journal OR conference) NOT theses)
  • 使用引号检索一个完整的词组; 例如: "open access publishing"
  • 使用-或者NOT排除一个检索词; 例如:online -politics or online NOT politics
  • 在检索词里使用 *作为通配符匹配任何字符序列; 例如., soci* morality 将符合含有 "sociological" or "societal"的词语
##common.cookie##