THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS

Issue Title File
Vol 13, No 3(49), 2021 Alexander Dovzhenko. Poetic Space of Immortality PDF
(Rus)
Vinogradov V.
Vol 13, No 3(49), 2021 On the Essence and Relevance of the Work on Semantic Oppositions in Creative Writing PDF
(Rus)
Klyueva L.
Vol 13, No 2(48), 2021 Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama PDF
(Rus)
Kasmynin A.
Vol 13, No 2(48), 2021 Paradoxes of Deconstruction in Postmodern Aesthetics and Art Cinema PDF
(Rus)
Klyueva L.
Vol 13, No 1, 2021 The Evolution of the Concept of the Victory in Russian Documentary Cinema PDF
(Rus)
Prozhiko G.
Vol 12, No 4, 2020 From a Screen Document to a Poetic Image. Making Sense PDF
(Rus)
Prozhiko G.
Vol 12, No 3, 2020 Cinema Magic: Mask and Myth PDF
(Rus)
Kirillova N.
Vol 12, No 3, 2020 S.Eisenstein. Aggression of Discourse: Theoretical Justification PDF
(Rus)
Klyueva L.
Vol 12, No 2, 2020 The Image and Sound of War in the Films “The Ascent” and “Come and See” PDF
(Rus)
Prozorovskaya I.
Vol 12, No 2, 2020 To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema PDF
(Rus)
Malyshev V.
Vol 12, No 1, 2020 Stopover? Non-fiction movies in the first decade after the millennium PDF
(Rus)
Prozhiko G.S.
Vol 12, No 1, 2020 The struggle for the Far East in the interpretation of the Vasilyev brothers PDF
(Rus)
Rostotskaya M.A.
Vol 11, No 4, 2019 CILECT as the Project of a World Film School: Origins, Specifics, Development PDF
(Rus)
Malyshev V.
Vol 11, No 4, 2019 Sergei Eisenstein’s Ideas in the Context of Contemporary Cinema. Stereo Film and Stereo Sound PDF
(Rus)
Rusinova E.
Vol 11, No 3, 2019 Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint PDF
(Rus)
Rusinova E.A.
Vol 11, No 3, 2019 Methodological aspects of studying the history of Soviet cinema in the 1930s PDF
(Rus)
Usuvaliev S.I.
Vol 11, No 2, 2019 The environment of the cinematic spectacle. The architecture of the early Russian movie theaters PDF
(Rus)
Anisimov A.V.
Vol 11, No 2, 2019 Russian Documentary at the Turn of the 21st Century PDF
(Rus)
Prozhiko G.S.
Vol 11, No 1, 2019 Cinematic media in digital culture PDF
(Rus)
Bakulev G.P.
Vol 11, No 1, 2019 The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero PDF
(Eng)
PDF
(Rus)
Rusinova E.A.
Vol 11, No 1, 2019 Between ideology and literature: the discussion of screenplays in the USSR in the 1930s PDF
(Rus)
Goncharenko A.A.
Vol 10, No 4, 2018 The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker PDF
(Eng)
PDF
(简体中)
PDF
(Rus)
Malyshev V.S.
Vol 10, No 3, 2018 Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur? PDF
(Rus)
Pronin A.A.
Vol 10, No 3, 2018 Sound as a Sign and Artistic Symbol in Film PDF
(Rus)
Rusinova E.A.
Vol 10, No 3, 2018 The Way of Genre in Cinema Documentary PDF
(Rus)
PDF
(简体中)
Prozhiko G.S.
Vol 10, No 2, 2018 Film Art Against Avant-Garde? On the Onthology of Artistic Means PDF
(Rus)
Yakimovich A.K.
Vol 10, No 2, 2018 The Product of Film Industry - a Cultural Good in Commodity Form PDF
(Rus)
Zhabsky M.I.
Vol 10, No 1, 2018 The Birth of Cinema in the Russian Empire and Film Censorship PDF
(Rus)
Drubek N.
Vol 9, No 4, 2017 The Birth of Cinema in the Russian Empire and Film Censorship PDF
(Rus)
Drubek N.
Vol 9, No 3, 2017 Ethnographic Cinema: the Image of the Other PDF
(Rus)
Prozhiko G.S.
Vol 9, No 3, 2017 Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s PDF
(Rus)
Sputnitskaya N.Y.
Vol 9, No 2, 2017 The Demand for Russian Cinema PDF
(Rus)
Zhabskiy M.I.
Vol 9, No 2, 2017 Gender Analysis of the Film “The Poet and the Fallen Soul” PDF
(Rus)
Smagina S.A.
Vol 9, No 2, 2017 “Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries PDF
(Rus)
Mylnikov D.Y.
Vol 9, No 2, 2017 Censorship Machine in the Soviet Cinema of the 1920s PDF
(Rus)
Nasrtdinova A.R.
Vol 9, No 1, 2017 Cinema and Globalization PDF
(Rus)
Zhabskiy M.I.
Vol 8, No 4, 2016 Newsreel: Is Its Revival Possible? PDF
(Rus)
Malkova L.Y.
Vol 8, No 4, 2016 The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years PDF
(Rus)
Sputnitskaya N.Y.
Vol 8, No 4, 2016 Education Genres Animated Poster in the Second Half of the 20th Century PDF
(Rus)
Krivulya N.G.
Vol 8, No 3, 2016 Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream PDF
(Rus)
Sputnitskaya N.Y.
Vol 8, No 3, 2016 Development of the Animated Poster in the First Half of the XX century PDF
(Rus)
Krivulya N.G.
Vol 8, No 2, 2016 Animated Poster: Its Origins, Specificity and Peculiarity PDF
(Rus)
Krivulya N.G.
Vol 8, No 2, 2016 Structural Analysis of Film Characters PDF
(Rus)
Boyko M.E.
Vol 8, No 1, 2016 The 60s. Half a Century Later. Nostalgia PDF
(Rus)
Prozhiko G.S.
Vol 7, No 4, 2015 Toward the Sociological Rationalization of State Film Policy PDF
(Rus)
Zhabskiy M.I.
Vol 7, No 4, 2015 The 60s. Half a Century Later. Nostalgia PDF
(Rus)
Prozhiko G.S.
Vol 7, No 3, 2015 State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation PDF
(Rus)
Zhdanova V.A.
Vol 7, No 3, 2015 Functional Duality of Cinema PDF
(Rus)
Ushkarev A.A.
Vol 7, No 2, 2015 Eisenstein’s Aesthetics in Semiotic Perspective PDF
(Rus)
Khrenov N.A.
Vol 7, No 2, 2015 From Theory to Methodology of Cinema PDF
(Rus)
Schtein S.Y.
Vol 7, No 1, 2015 S.M. Eisenstein’s Aesthetics in Semiotic Perspective PDF
(Rus)
Khrenov N.A.
Vol 7, No 1, 2015 From Theory to Methodology of Cinema PDF
(Rus)
Schtein S.Y.
Vol 7, No 1, 2015 The First Men on Venus: Space Travels in Russian Cinema of the 1930-1960s PDF
(Rus)
Sputnitskaya N.Y.
Vol 6, No 4, 2014 Film Studies As a Normative Academic Discipline PDF
(Rus)
Nikitina I.P., Ivin A.A.
Vol 6, No 3, 2014 State Guardianship of Cinema: The Issue of Goal-Setting PDF
(Rus)
Zhabsky M.I.
Vol 6, No 2, 2014 Cinema Policy of Simple Solutions PDF
(Rus)
Zhabsky M.I.
Vol 6, No 1, 2014 Soviet cinema as a state budget’s contributor. Distribution in the 1930s PDF
(Rus)
Kosinova M.I.
Vol 6, No 1, 2014 “Moscow text” in Russian cinema in the 1920s-1940s PDF
(Rus)
Boyarshinova N.A.
Vol 5, No 4, 2013 Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants PDF
(Rus)
Fyodorova A.A.
Vol 5, No 4, 2013 Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's PDF
(Rus)
Kosinova M.I.
Vol 5, No 3, 2013 Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907) PDF
(Rus)
Kosinova M.I.
Vol 5, No 3, 2013 The Myth of the Authenticity of the Wartime Newsreels PDF
(Rus)
Prozhiko G.S.
Vol 5, No 2, 2013 Film as Text. Some Aspects of Text Analysis PDF
(Rus)
Kluyeva L.B.
Vol 5, No 2, 2013 American cinema of the Great Depression. The «Social Restlessness Phase» PDF
(Rus)
Zakharov D.V.
Vol 5, No 1, 2013 Does cinema remain the driving force of screen culture? PDF
(Rus)
Kirillova N.B.
Vol 4, No 4, 2012 The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory PDF
(Rus)
Kluyeva L.B.
Vol 4, No 2-3, 2012 Sociocultural Functions of Film Libraries and Archives PDF
(Rus)
Malyshev V.S.
Vol 4, No 2-3, 2012 World War Two in the Cinema of the Late 1950s PDF
(Rus)
Zaitseva L.A.
Vol 4, No 2-3, 2012 The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory PDF
(Rus)
Kluyeva L.B.
Vol 4, No 2-3, 2012 Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality» PDF
(Rus)
Bezenkova M.V.
Vol 4, No 1, 2012 Moral Aspects of Russian PreRevolutionary Cinema. Yakov Protazanov PDF
(Rus)
Rostotskaya M.A.
Vol 4, No 1, 2012 Mirror and its Semiotic Modifications in Culture PDF
(Rus)
Kljueva L.B.
Vol 3, No 4, 2011 Moral Aspects of Russian PreRevolutionary Cinema PDF
(Rus)
Rostotskaya M.A.
Vol 3, No 4, 2011 The Significance of Myth in the Work of Andrey Zvyagintsev PDF
(Rus)
Kljueva L.B.
Vol 3, No 3, 2011 Observing the Observer, or the Poetics of Deconstruction. Based on New York, I Love You by A. Zvyagintsev PDF
(Rus)
Kljueva L.B.
Vol 3, No 2, 2011 To the Semiotics of the Mirror and Reflectivity PDF
(Rus)
Kljueva L.B.
Vol 3, No 1, 2011 A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema PDF
(Rus)
Kljueva L.B.
Vol 2, No 4, 2010 A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema PDF
(Rus)
Klyueva L.B., Kljueva L.B.
Vol 2, No 3, 2010 Film Art in the System of Forming a Stage Identity Model PDF
(Rus)
Kolotayev V.A.
Vol 2, No 2, 2010 The Unknown Cinema of the War and Victory PDF
(Rus)
Grashchenkova I.N., Grashchenkova I.N.
Vol 2, No 2, 2010 Second World War Film Chronicle PDF
(Rus)
Prozhiko G.S., Prozhiko G.S.
Vol 2, No 2, 2010 In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945 PDF
(Rus)
Utilov V.A., Utilov V.
Vol 2, No 1, 2010 Historical time in a film structure(end, beginning in № 1) PDF
(Rus)
Marievskaya N.E., Marievskaya N.
Vol 2, No 1, 2010 Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema") PDF
(Rus)
Turitsyn V.N., Turitsyn V.N.
Vol 1, No 1, 2009 Historical time in a film structure PDF
(Rus)
Marievskaya N.E.
Vol 1, No 1, 2009 Postmodernism as Myths Generating Practice PDF
(Rus)
Mankovskaya N.B.
1 - 86 of 86 Items

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