| 期 |
标题 |
文件 |
| 卷 13, 编号 3(49), 2021 |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
|
Статья N., Статья A.
|
| 卷 13, 编号 2(48), 2021 |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
|
Статья N., Статья A.
|
| 卷 13, 编号 1, 2021 |
Media Image of the Screen as Representation of Sociocultural Reality |
(Rus)
|
|
Статья S.
|
| 卷 12, 编号 4, 2020 |
A Character in the Space of Leisure. An Essay on Dramatic Composition of Film |
(Rus)
|
|
Статья N.
|
| 卷 12, 编号 3, 2020 |
Is Aesthetics a Metatheory in Relation to Art Criticism? |
(Rus)
|
|
Статья I.
|
| 卷 12, 编号 2, 2020 |
Modern Art History As a Human Science in a Situation of Cultural Turn |
(Rus)
|
|
Статья N.
|
| 卷 12, 编号 1, 2020 |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Статья N.
|
| 卷 11, 编号 4, 2019 |
Modern Art History As a Human Science in a Situation of Cultural Turn |
(Rus)
|
|
Статья N.
|
| 卷 11, 编号 3, 2019 |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Статья N.
|
| 卷 11, 编号 3, 2019 |
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category |
(Rus)
|
|
Статья I.
|
| 卷 11, 编号 2, 2019 |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Khrenov N.
|
| 卷 11, 编号 2, 2019 |
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture |
(Rus)
|
|
Статья O.
|
| 卷 11, 编号 1, 2019 |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Статья N.
|
| 卷 10, 编号 4, 2018 |
The Culture of the XVIIIth Century and the Return to the Human Being |
(Rus)
|
|
Статья G.
|
| 卷 10, 编号 4, 2018 |
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines |
(Rus)
|
|
Статья I.
|
| 卷 10, 编号 2, 2018 |
Mind-Body Dialectics in the Latest Science Fiction TV-Series |
(Rus)
|
|
Статья O.
|
| 卷 10, 编号 1, 2018 |
Maurice Maeterlinck’s Philosophy of Art |
(Rus)
|
|
Статья N.
|
| 卷 9, 编号 4, 2017 |
Synthesis of Arts in Vasily Kandinsky's Creative Work |
(Rus)
|
|
Статья N.
|
| 卷 9, 编号 3, 2017 |
Contextual Argumentation in the Humanities |
(Rus)
|
|
Статья A., Статья I.
|
| 卷 9, 编号 3, 2017 |
Mediatext Language Practices as a Factor in Representation of Reality |
(Rus)
|
|
Статья N.
|
| 卷 9, 编号 2, 2017 |
Desktop Films. To Read or to Watch? |
(Rus)
|
|
Статья V.
|
| 卷 9, 编号 1, 2017 |
The Principle of Mirror Reflection and the Ways of Manifesting the Transcendent in Tarkovsky’s The Mirror |
(Rus)
|
|
Статья L.
|
| 卷 8, 编号 4, 2016 |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
|
Статья A.
|
| 卷 8, 编号 3, 2016 |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
|
Статья A.
|
| 卷 8, 编号 3, 2016 |
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism |
(Rus)
|
|
Статья V.
|
| 卷 8, 编号 2, 2016 |
The Moral Law of Love Conservation |
(Rus)
|
|
Статья N.
|
| 卷 8, 编号 2, 2016 |
Violence in Films: Three Preconditions for the Mimetic Effect |
(Rus)
|
|
Статья K.
|
| 卷 8, 编号 1, 2016 |
Synesthetic Problems in French Symbolism’ Aesthetics and their Current Relevance |
(Rus)
|
|
Mankovskaya N.
|
| 卷 7, 编号 4, 2015 |
Faith as One of the Universal Existential Categories |
(Rus)
|
|
Статья N.
|
| 卷 7, 编号 3, 2015 |
Creative Process as an Aesthetic Entity |
(Rus)
|
|
Статья A.
|
| 卷 7, 编号 2, 2015 |
L.S. Vygotsky On Psychological Properties of Art Form Organization |
(Rus)
|
|
Статья A.
|
| 卷 7, 编号 2, 2015 |
Interaction of Artistic Culture of Russia and Scandinavian Countries at the turn of the 19th-20th Centuries |
(Rus)
|
|
Статья N.
|
| 卷 7, 编号 1, 2015 |
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art |
(Rus)
|
|
Статья O.
|
| 卷 6, 编号 4, 2014 |
Silver Age. Interference of the Russian and German Cultures |
(Rus)
|
|
Статья N.
|
| 卷 6, 编号 3, 2014 |
Artistic Thinking as a Characteristic Property of Creative Intellect |
(Rus)
|
|
Статья A.
|
| 卷 6, 编号 3, 2014 |
Impressionism as an Expression of Social Consciousness |
(Rus)
|
|
Статья N.
|
| 卷 6, 编号 3, 2014 |
Silence of the Author: Semantics of Muting in Cinema |
(Rus)
|
|
Статья Y.
|
| 卷 6, 编号 2, 2014 |
Free Will and Existentialism of Death |
(Rus)
|
|
Статья N.
|
| 卷 6, 编号 2, 2014 |
Problems of Presentation and Typology of Demonic and Monstrous Characters in Animation (for the beginning see Issue #19) |
(Rus)
|
|
Статья N.
|
| 卷 6, 编号 1, 2014 |
On representation and typology of the demoniac and monstrous characters |
(Rus)
|
|
Статья N.
|
| 卷 5, 编号 4, 2013 |
Hellenistic Period and Its Cultural Significance |
(Rus)
|
|
Pondopulo G.
|
| 卷 5, 编号 4, 2013 |
The Images of China on Russian Screen. A Glance from the Audience |
(Rus)
|
|
Andreyev A., Andreyev I.
|
| 卷 5, 编号 3, 2013 |
Aesthetic Analysis of the Show as a Concept |
(Rus)
|
|
Vanchenko T.
|
| 卷 5, 编号 3, 2013 |
The Problem Field of Modern Information Space |
(Rus)
|
|
Malyshev A.
|
| 卷 5, 编号 2, 2013 |
Artistic Space as a Modern Aesthetical Category |
(Rus)
|
|
Nikitina I.
|
| 卷 5, 编号 2, 2013 |
The Role of the Information Space in the Culture of the Young Generation |
(Rus)
|
|
Malyshev A.
|
| 卷 5, 编号 1, 2013 |
Art and politics |
(Rus)
|
|
Nikitina I.
|
| 卷 5, 编号 1, 2013 |
About eternity concepts in the film structure |
(Rus)
|
|
Marievskaya N.
|
| 卷 4, 编号 4, 2012 |
Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid” |
(Rus)
|
|
Mikheeva Y.
|
| 卷 4, 编号 2-3, 2012 |
The Role of Memory in the Perception of the Screen Image |
(Rus)
|
|
Nikitina I.
|
| 卷 4, 编号 2-3, 2012 |
Classic and Hellenistic Greece |
(Rus)
|
|
Pondopulo G.
|
| 卷 4, 编号 2-3, 2012 |
Who Is the Subject, and Who Is the Actor of Culture? |
(Rus)
|
|
Neretin O.
|
| 卷 4, 编号 2-3, 2012 |
Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study) |
(Rus)
|
|
Bychkov V.
|
| 卷 4, 编号 2-3, 2012 |
Problems of Animation Film Visual Anthropology |
(Rus)
|
|
Krivulya N.
|
| 卷 4, 编号 1, 2012 |
Philosophic Foundations of an Audiovisual Counterpoint in a Film |
(Rus)
|
|
Mikheeva Y.
|
| 卷 3, 编号 4, 2011 |
Alfred Schnittke and the End of Russian Classic Music |
(Rus)
|
|
Mikheyeva Y.
|
| 卷 3, 编号 4, 2011 |
Liberty as a Cultural Value |
(Rus)
|
|
Mezhuyev V.
|
| 卷 2, 编号 4, 2010 |
Modern Visual Culture: Psychological Space and Time in the Movies |
(Rus)
|
|
Kosenkova N., Kosenkova N.
|
| 卷 2, 编号 3, 2010 |
On the methodology of the study of ontology in the concept of cinema Andre Bazin |
(Rus)
|
|
Schtein S.
|
| 卷 2, 编号 2, 2010 |
Theory of Marginality and the Cinemaof Postmodernism (P.P. Pasolini,R. Khamdamov, J. Stelling, L. von Trier) |
(Rus)
|
|
Koblenkova D., Koblenkova D.
|
| 卷 2, 编号 1, 2010 |
Films about filmmaking. Reality and game |
(Rus)
|
|
Perel'shteyn R., Perelshtein R.
|
| 卷 1, 编号 1, 2009 |
Vliyanie kul'tury Drevnego Kitaya na sovremennyy kinematograf |
(Rus)
|
|
Shaturnaya Y.
|
| 卷 1, 编号 1, 2009 |
Alteration of perception of the screen image - actual trend analysis |
(Rus)
|
|
Kosenkova N.
|
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