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期
标题
作者
卷 11, 编号 3, 2019
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Статья J.
PDF
(Rus)
卷 11, 编号 1, 2019
Contemporary Russian cinema and its world contexts
Статья O.
PDF
(Rus)
卷 1, 编号 1, 2009
Alteration of perception of the screen image - actual trend analysis
Kosenkova N.
PDF
(Rus)
卷 2, 编号 3, 2010
On the methodology of the study of ontology in the concept of cinema Andre Bazin
Schtein S.
PDF
(Rus)
卷 3, 编号 1, 2011
The Influence of Newest Audiovisual Technologies on the Audience
Kosenkova N.
PDF
(Rus)
卷 3, 编号 4, 2011
The factors of competitive ability of national film industries
Zhabskiy M.
PDF
(Rus)
卷 4, 编号 2-3, 2012
The Role of Memory in the Perception of the Screen Image
Poznin V.
PDF
(Rus)
卷 6, 编号 2, 2014
Screenplay as a Dynamic Process Model
Статья N.
PDF
(Rus)
卷 7, 编号 4, 2015
European Avant-guard: Dialectics of “Feature” and “Non-feature” Films
Статья M.
PDF
(Rus)
卷 7, 编号 3, 2015
Evolution of Dramaturgy of Fiction Popular Science Films
Статья M.
PDF
(Rus)
卷 8, 编号 3, 2016
On The Matter of Market in Cinema
Статья M.
PDF
(Rus)
卷 8, 编号 4, 2016
Patterns of Behavior in the Great Patriotic War’s Soviet Cinema
Статья M.
PDF
(Rus)
卷 9, 编号 2, 2017
The Problem of Adaptation of Utopias in Russian Cinema
Статья O.
PDF
(Rus)
卷 9, 编号 3, 2017
Ethnographic Cinema: the Image of the Other
Статья G.
PDF
(Rus)
卷 11, 编号 3, 2019
Methods of using the type expressiveness of the actor in the cinema of “new sincerity”
Статья M.
PDF
(Rus)
卷 1, 编号 1, 2009
Postmodernism as Myths Generating Practice
Mankovskaya N.
PDF
(Rus)
卷 2, 编号 1, 2010
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema")
Turitsyn V., Turitsyn V.
PDF
(Rus)
卷 3, 编号 1, 2011
Situations and Characters of American Pre-War Cinema
Fomina V.
PDF
(Rus)
卷 3, 编号 4, 2011
Alfred Schnittke and the End of Russian Classic Music
Mikheyeva Y.
PDF
(Rus)
卷 4, 编号 2-3, 2012
Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films
Malyshev V.
PDF
(Rus)
卷 5, 编号 4, 2013
The Images of China on Russian Screen. A Glance from the Audience
Andreyev A., Andreyev I.
PDF
(Rus)
卷 6, 编号 4, 2014
Time and Essence. Study of Cinema Product Temporal Analysis
Статья N.
PDF
(Rus)
卷 7, 编号 4, 2015
Screening Zurbagan: On Use of Animation in Russian Feature Cinema
Статья N.
PDF
(Rus)
卷 7, 编号 3, 2015
Functional Duality of Cinema
Статья A.
PDF
(Rus)
卷 8, 编号 3, 2016
Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Статья M.
PDF
(Rus)
卷 9, 编号 2, 2017
Censorship Machine in the Soviet Cinema of the 1920s
Статья A.
PDF
(Rus)
卷 9, 编号 4, 2017
Criteria of Composition of Documentaries about Nature
Статья N.
PDF
(Rus)
卷 11, 编号 2, 2019
Existential problematics in the films of Pedro Costa
Статья V.
PDF
(Rus)
卷 2, 编号 2, 2010
Traditions and Innovations in Film Education
Novikov A., Novikov A.
PDF
(Rus)
卷 2, 编号 1, 2010
Screen in the new time
Krivosheev M., Krivocheev M.
PDF
(Rus)
卷 3, 编号 4, 2011
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev
Pishita Y.
PDF
(Rus)
卷 6, 编号 4, 2014
Film Studies As a Normative Academic Discipline
Статья I., Статья A.
PDF
(Rus)
卷 7, 编号 1, 2015
Movie Distribution Categories in Russia: Sample of Statistical Analysis
Статья O., Статья N., Статья D.
PDF
(Rus)
卷 7, 编号 3, 2015
State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation
Статья V.
PDF
(Rus)
卷 8, 编号 3, 2016
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism
Статья V.
PDF
(Rus)
卷 9, 编号 2, 2017
Cinema of Arabic East: the Problem of Radical Islam
Статья A.
PDF
(Rus)
卷 9, 编号 2, 2017
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Статья D.
PDF
(Rus)
卷 9, 编号 4, 2017
Metaphor in Cinema: Specifics of its Creation and Perception
Статья V.
PDF
(Rus)
卷 10, 编号 4, 2018
Contemporary Russian Cinema and Its World Contexts
Статья O.
PDF
(Rus)
卷 11, 编号 3, 2019
Methodological aspects of studying the history of Soviet cinema in the 1930s
Статья S.
PDF
(Rus)
卷 11, 编号 2, 2019
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture
Статья O.
PDF
(Rus)
卷 2, 编号 3, 2010
Dramatic Peculiarities of Ecological film
Trusevich Y.
PDF
(Rus)
卷 2, 编号 4, 2010
Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)
Zakrevskaya :., Zakrevskaya A.
PDF
(Rus)
卷 3, 编号 3, 2011
Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization
Ilchenko S.
PDF
(Rus)
卷 3, 编号 4, 2011
The Poetic Cinema of the Post-Cultural Era
Yeliseyeva Y.
PDF
(Rus)
卷 4, 编号 4, 2012
Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”
Mikheeva Y.
PDF
(Rus)
卷 6, 编号 1, 2014
“Moscow text” in Russian cinema in the 1920s-1940s
Статья N.
PDF
(Rus)
卷 6, 编号 3, 2014
Points of Disequilibrium in Narrative Dynamics and Their Structure
Статья N.
PDF
(Rus)
卷 7, 编号 2, 2015
Stylistic Features Of Russian Arthouse
Статья V.
PDF
(Rus)
卷 7, 编号 1, 2015
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Статья Y.
PDF
(Rus)
卷 8, 编号 1, 2016
American Biopic in Contemporary Cinema
Статья I.
PDF
(Rus)
卷 9, 编号 2, 2017
Individualism as a Cultural Syndrome in Recent American Cinema
Статья N.
PDF
(Rus)
卷 9, 编号 4, 2017
Film Reconstruction of the Past as a Method of Understanding Reality
Статья V.
PDF
(Rus)
卷 10, 编号 2, 2018
“New Drama” in the Context of the Historical Film
Статья L.
PDF
(Rus)
卷 10, 编号 2, 2018
Screen Metamorphoses of Ivan Pyryev
Статья N.
PDF
(Rus)
卷 12, 编号 1, 2020
The struggle for the Far East in the interpretation of the Vasilyev brothers
Статья M.
PDF
(Rus)
卷 11, 编号 3, 2019
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Статья E.
PDF
(Rus)
卷 2, 编号 2, 2010
Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production
Sarymsakov S., Sarymsakov S.
PDF
(Rus)
卷 2, 编号 4, 2010
"The Karamazov Brothers" as intellectualgames
Il'chenko S., Ilchenko S.
PDF
(Rus)
卷 3, 编号 2, 2011
Mythology and Conventions of American Pre-War Cinema
Fomina V.
PDF
(Rus)
卷 3, 编号 4, 2011
Moral Aspects of Russian PreRevolutionary Cinema
Rostotskaya M.
PDF
(Rus)
卷 5, 编号 2, 2013
Algeria: Birth of Cinema
Shakhov A.
PDF
(Rus)
卷 6, 编号 1, 2014
Soviet cinema as a state budget’s contributor. Distribution in the 1930s
Статья M.
PDF
(Rus)
卷 8, 编号 1, 2016
Emotional Influence on the Viewer in Contemporary American Cinema
Статья F.
PDF
(Rus)
卷 8, 编号 2, 2016
Structural Analysis of Film Characters
Статья M.
PDF
(Rus)
卷 9, 编号 1, 2017
Music as a Part of the Theatrical Game of the Movie
Статья Y.
PDF
(Rus)
卷 9, 编号 4, 2017
Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s
Статья M.
PDF
(Rus)
卷 9, 编号 4, 2017
The Storming of the Winter Palace as a Mythmaking of National Screen Culture
Статья S.
PDF
(Rus)
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