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期
标题
作者
卷 10, 编号 3, 2018
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Статья T.
PDF
(Rus)
卷 13, 编号 3(49), 2021
The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries
Статья M.
PDF
(Rus)
卷 10, 编号 1, 2018
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Статья E.
PDF
(Rus)
卷 12, 编号 2, 2020
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Статья I.
PDF
(Rus)
卷 7, 编号 1, 2015
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Статья Y.
PDF
(Rus)
卷 11, 编号 2, 2019
The sound world of the alienated film character
Rusinova E.
PDF
(Rus)
卷 9, 编号 2, 2017
Music in the Metadigetic Space of the Motion Picture
Статья E.
PDF
(Rus)
卷 11, 编号 3, 2019
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Статья J.
PDF
(Rus)
卷 10, 编号 1, 2018
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Статья E., Статья E.
PDF
(Rus)
卷 8, 编号 1, 2016
Lost in Translation: Songs in Foreign Films
Статья Y.
PDF
(Rus)
卷 9, 编号 1, 2017
Music as a Part of the Theatrical Game of the Movie
Статья Y.
PDF
(Rus)
卷 11, 编号 3, 2019
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Статья E.
PDF
(Rus)
卷 3, 编号 4, 2011
Alfred Schnittke and the End of Russian Classic Music
Mikheyeva Y.
PDF
(Rus)
卷 5, 编号 4, 2013
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants
Fyodorova A.
PDF
(Rus)
卷 6, 编号 3, 2014
Silence of the Author: Semantics of Muting in Cinema
Статья Y.
PDF
(Rus)
卷 9, 编号 1, 2017
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Статья E.
PDF
(Rus)
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