| 期 |
标题 |
文件 |
| 卷 13, 编号 3(49), 2021 |
Modern Films In The Assessment Of Future Filmmakers |
(Rus)
|
|
Статья .
|
| 卷 6, 编号 4, 2014 |
Video Art: “A White Cube” or “A Black Box”? |
(Rus)
|
|
Статья A.
|
| 卷 6, 编号 3, 2014 |
Planning Element as a Narrative Method in Moulding of Audiovisual Imagery in Documentaries |
(Rus)
|
|
Статья M.
|
| 卷 6, 编号 3, 2014 |
Collage Methods in Russian Animation Under Market Conditions |
(Rus)
|
|
Статья Y.
|
| 卷 5, 编号 2, 2013 |
Magic Realism of André Delvaux |
(Rus)
|
|
Zakrevskaya A.
|
| 卷 4, 编号 1, 2012 |
The Reflection of Ethno-Cultural Stereotypes in Film Art |
(Rus)
|
|
Monakhova M.
|
| 卷 3, 编号 4, 2011 |
To the problem of correlation between a screen adaptation and its literary source |
(Rus)
|
|
Simonova S.
|
| 卷 3, 编号 4, 2011 |
“My Friend Ivan Lapshin” as a Screen Adaptation |
(Rus)
|
|
Sibirtseva Y.
|
| 卷 2, 编号 4, 2010 |
A Film as an "Unfinished Script": theProblem of Composition |
(Rus)
|
|
Korshunov V., Korshunov V.
|
| 卷 2, 编号 3, 2010 |
Dramatic Peculiarities of Ecological film |
(Rus)
|
|
Trusevich Y.
|
| 卷 2, 编号 1, 2010 |
Digital Technologies in Cinema |
(Rus)
|
|
Artemov V., Artemov V.
|
| 卷 1, 编号 1, 2009 |
The creative work of Sergey Paradzhanov as an event of Postmodernism |
(Rus)
|
|
Lukashova A.
|
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