Dynamics of Corporality and Static Models of Space in Thriller Dramaturgy

Cover Page

Cite item

Full Text

The article analyzes the mechanism of building the conflict in screenwriting within confrontation “alive / dead” by means of dynamic of corporeality - from an “alive” corporeal world of the protagonist to a “dead” static model of the antagonist's world. The scheme of their interaction is based on examples of thriller films, as well as indie films which use the elements of this genre.

Kozlova Svetlana S

Post-Graduate student; Teacher

VGIK; G. Dadamian’s Higher School of Theatre Workers

Author for correspondence.
Email: semenkirov@gmail.com


  1. Башляр Г. Избранное. Поэтика пространства. - М.: РОССПЭН, 2004. - 376 с.
  2. Бескова И.А., Князева Е.Н., Бескова Д.А. Природа и образы телесности. - М.: Прогресс-Традиция, 2011. - 456 с.
  3. Долин А.В. Уловка XXI: Очерки кино нового века. - М.: Ад Маргинем Пресс, 2010. - 552 с.
  4. Кино. Энциклопедический словарь / Гл. ред. Юткевич С.И; Редкол.: Ю.С. Афанасьев, В.Е. Баскаков, И.В. Вайсфельд. - М.: СЭ, 1987. - 640 с.
  5. Ямпольский М.Б. Язык - тело - случай. Кинематограф в поисках смысла. - М.: НЛО, 2004. - 360 с.

Copyright (c) 2017 Kozlova S.S.

This website uses cookies

You consent to our cookies if you continue to use our website.

About Cookies